This review is in two parts. A spoiler-free review is above the cut, and the spoilers are below.
I saw AVENGER’S ENDGAME. I recommend this film in the strongest possible terms. It is, if I may, a marvel of a movie. I praise, laud, and magnify this movie with an infatuated delirium.
I am awestruck.
For better or worse, it is entertaining if sadistic to write about bad movies, because the endless groaning, griping, and nitpicking is endlessly amusing. But there is little to say about a good movie, because when all parts are in proportion, and the film elevates the audience into a clearer insight into the human condition, and it does it job so well, like the work done my angels, it is often unseen: you need repeated re-viewings to absorb the nuances or to see all the frenetic action.
There is even less to say about a great movie, because the discreet reviewer urgently wants not to spoil any surprises or plot twists, or ruin any jokes by any forewarning. Even to say whether the heroes win or lose is too much information in a film like this.
This movie was more than great, so I am left with almost nothing to say to those who have not yet seen it.
It is a privilege for which enough thanks cannot be tendered that a lifelong fan of science fiction, fantasy, and superhero comics like me just so happens to live in generation when the entertainment industry expended unparalleled effort, fortune, and genius to bring to the big screen SFF and genre works that will never be matched again.
Specifically, I mean the years between George Lucus’ STAR WARS (1977), Bruce Timm’s venture into the DC Animated Universe (1992-2004) up until AVENGERS ENDGAME (2019).
ENDGAME is a fitting finish and finale to Hollywood’s fling with genre fiction.
I say it is the finish not because Hollywood plans not to make more superhero and science fiction films in years to come. They certainly have such plans.
My sad but certain prediction is that more SFF films and MCU films will be made, but they will be rotten.
We have seen the corruption and downfall of DOCTOR WHO, STAR TREK, and STAR WARS. Political Correctness has replaced story telling. The rot spread to once-beloved children’s cartoons as long ago as LEGEND OF KORRA. The print industry of DC and Marvel is so firmly in the hands of the virtue-signalling loons that no one need be tempted to spend even a dime on their work.
The Marvel Cinematic Universe, up until CAPTAIN MARVEL, resisted the pressure from the forces of Political Correctness. But like the first snowflake of late autumn, in this film there is the cold hint of the coming darkness. It is not even a scene, merely one line here, one shot there. But even the first, smallest symptom of an incurable plague is dispositive. Future MCU films will be unwatchable garbage.
But not this movie. One line here, one shot there, is not enough to detract from the exultation of wonder, the joys and sorrows, the happy endings and tragic sacrifices that is the culmination of so many years of big-budget record-breaking blockbuster film-making.
I am awestruck because never has there been such a sustained and uninterrupted effort of interconnecting so many movies over so many years into one coherent triumph of story telling.
Can I recommend this film to everyone? Certainly not.
I know there are those who regard superhero tales as shallow, on the ground that the invulnerable super-people can neither suffer nor grow. Such opinions are incomprehensible given everything done since Alexander Suskind’s SUPERMAN: THE MOVIE, and can only be the product of a soul unable to form a sympathy with persons from a world more wierd and fantastic than our own.
There are folk with a terminal case of “the muggles.” They must pass this film by.
There are those who never saw or cannot recall the events of the previous score and a half films set in this shared background. They will be baffled and lost by the large cast of characters.
Certainly the film is not to be seen by anyone who has not seen the first half of this story INFINITY WARS. You do not walk into Shakespeare’s HAMLET halfway through Act III and expect to follow what it going on, or start reading Tolkien’s trilogy with RETURN OF THE KING.
Everyone else should do see it. Multiple times.
The only spoiler I will deliberately say is no spoiler at all, but a head’s-up. There is no after-credits scene or Easter eggs waiting once the end music starts. There is no set up for any further projects hidden in an afterword.
WARNING! Spoilers below the cut.
I saw this movie with no preconceptions whatsoever, not even the slightest hint of what was coming up, and no speculations but my own. My enjoyment would have been diminished sharply by any foreknowledge. I strongly suggest, nay, I beg, that no one who has not seen the film read below the cut.
This discussion is only for those who have seen the film.
NO PEEKING, PLEASE!!
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