Lewis and Clarke

Posted June 4, 2009 By John C Wright

From http://www.tor.com/index.php?option=com_content&view=blog&id=31279

The quote below is from a review of Backroom Boys: The Secret Return of the British Boffin by Francis Spufford a book about the history of technology and society. It’s about six engineering projects that have taken place in Britain since WWII. The projects range from rockets through Concorde to computer games, cell phones, and the Human Genome Project.

Two famous figures in the science fiction world are mentioned in this anecdote:

It was at about this time that an encounter took place between two outlooks almost equally marginal to the spirit of the time in Britain. Arthur C. Clarke, by now a well established science fiction writer as well as the author of the pioneering paper on satellite communications, had been growing increasingly irritated by the theological science fiction of C.S. Lewis, who saw space travel as a sinful attempt by fallen humanity to overstep its god-given place. […] Clarke contacted Lewis and they agreed to meet in the Eastgate Tavern, Oxford. Clarke brought Val Cleaver as his second, Lewis brought J.R.R. Tolkien. They saw the world so differently that even argument was scarcely possible. As Orwell said about something completely different, their beliefs were as impossible to compare as a sausage and a rose. Clarke and Cleaver could not see any darkness in technology, while Lewis and Tolkien could not see the way in which a new tool genuinely transforms the possibilities of human awareness. For them, machines at the very best were a purely instrumental source of pipe tobacco and transport to the Bodleian.So what could they do? They all got pissed. “I’m sure you are all very wicked people,” said Lewis cheerfully as he staggered away, “But how dull it would be if everyone was good!”
 

Since they are British, I assume "pissed" in the sentence above means intoxicated with spirits, not intoxicated with anger.

My comment: Myself, I see no evidence that any new tool has transformed anyone’s "awareness" — a phrase I notice has mystical rather than scientific implications.

Like the debate between G.K. Chesterton and H.G. Wells about the wisdom of a scientifically-organized eugenic socialist utopia, history has once again come down on theside of the writer the intelligentsia dismiss as an irrational religious obscurantist, and history has debunked, even humiliated, the faddish optimism of the writers whose zealous idolatry of science is regarded by the intelligentsia as rational and progressive. I am frankly puzzled why worshipers at the altar of progress regard their worship as scientific, when real scientific thought consists, not of enthusiasm, but measured skepticism, detailed observation, and experimentation under conditions that control the variables. 

I know of no one who regards G.K. Chesterton as the great prophet of the modern age, even though he saw and described the ills of the modern world decades, or a century, in advance; but I often here the foresight of H.G. Wells lauded. We see in operation the reverse Cassandra effect, where the more completely exploded a man’s predictions are, the less skeptically his devotees regard his oracles.

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Wallpaper Meme

Posted June 3, 2009 By John C Wright

By way of Kokorognosis:

Rules—
01. Anyone who looks at this entry has to post this meme and their current wallpaper at their LiveJournal.
02. Explain in five sentences why you’re using that wallpaper!
03. Don’t change your wallpaper before doing this! The point is to see what you had on!

Gladly: below the cut is the cover art for my book TITANS OF CHAOS, which I use for my wallpaper.
The art is by Scott Fisher, who outperformed even his considerable skills.
The main character, Amelia Windrose, was one I also drew many sketches of — I have a whole notebook at home full of them — was drawn here by Mr. Fisher, who never saw or heard rumor of this notebook, and who nonetheless drew the same features I did for the character.
Odd, no?
It is both (1) an advertisement to anyone peering over my shoulder at my computer, and (2) a pretty picture of a pretty girl for whom I feel both (a) the fatherly pride of creation, since I invented her, and, antithetically, (b) the innocent philogynous admiration of a fanboy, for whom most science fiction covers featuring attractive space princesses in postures of ecstasy are drawn. Read the remainder of this entry »

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I will be on the Telly

Posted June 2, 2009 By John C Wright

Lorna Dueck from Listen Up TV  (a Canadian Christian news program) interviewed me for her television show. This is an episode where Robert J. Sawyer, a real science fiction writer, is also being interviewed. They asked me some softball questions, and I bunted them. Smooth a pie. I did it over my lunch hour at a little church just down the street, so my talking head should have a nice altar and stained glass window behind me.

I do not know when or where the program will be aired.I wore my hat, so my hat will get some air time, and my Saint Justin-Martyr medal, which I used to flash secret messages in Morse Code to my Jesuit ‘handler’ working for MI-13, which the Anglocatholic secret service branch devoted to hunting Nazi vampires created by Nordic necromancy after World War II.

Fortunately, the young atomic rocketeers of the Space Rocket Galileo, led by Dr. Cargraves, uncovered the Nazi base on the dark side of the moon, where the Nazis had learned the secrets of reviving the undead from the Macrobe-led technocrat-sorcerers of Sulva.

Dr. Cargraves, after a desperate flight from the insect-guards of the Grand Lunar, entered the mysterious blue area of the moon, where the ruined city of the Inhumanoids is located, fell in love with Nah-ee-lah the Moon Maid, and, with her help, recovered his rocketship from space vampire Nazi hands, and flew back to Earth.

In secret consultation with the Pope, and with Antonio Barberini the Younger the Commander in Chief of the Papal armies hidden in the hollow core of the Earth since the days of Julius II (FOOTNOTE: fortunately, the Borgia Popes were able to find and exploit the secret volcanic vents under Aetna leading to Pelludicar, the interior world, long before the Puritan adventurer Solomon Kane discovered them, so that the Interior Lands were drawn into the orbit of the Holy League, and are firmly anti-Cromwell) it has been decided to return to the moon and perform an mass-excorcism of that entire heavenly sphere. This should have the beneficial side effect of robbing thewerewolves of Iceland of their extra powers they get when the moon is full.

Unfortunately the rocket-planes were supposed to have parts made by General Motors, and now that GM is going to be run by the same addlepated bureaucrats who run Amtrack, we doubt the parts will be available. We are negotiating with the Disney Corporation — you all know that the rides in Tomorrowland are just props to cover up the real workind spaceport Disney erected in Florida in the 1950’s, right? — to see if they can supply us, and the Science Patrol of Japan (who are coming along) with a fleet of longrange moonrockets. 

When I get more information I will tell you. Not about the Nazi vampire hunting. That is strictly hush-hush. About the Listen Up TV show.

NOTE ADDED LATER: Dark Horse Comics, who evidently (all of them) grew up reading the same high octane pulp I did have produced a comic book that sounds like it came from what I described above: Werewolves on the Moon fighting Vampires . American werewolves, no less.  I kid you not. http://www.darkhorse.com/Comics/16-275/Werewolves-on-the-Moon-Versus-Vampires-1

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The Childlike Empress (or someone who looks like her) takes me to task for my condemnation of James Joyce’s ULYSSES. Here are the comments in full:

I will stick up my hand in defense of "Ulysses". First off, you HAVE to read an annotated version, or read the Cliff’s Notes along with it. Otherwise, yes, it will read as though it’s a piece of junk that makes no sense to anyone. However, people were far better educated when Joyce was writing, and he intentionally wrote it with many, many layers of meaning and insight so that it could be unpacked for centuries afterwards, thus gaining himself literary immortality.

Lest you think that the height of conceit, read on. Joyce was one of the key players in the incredibly important struggle for Ireland to regain and rebuild her national identity, which was at the time outlawed and strangulated by British imperial control. All the people in America who love Ireland and are proud of being Irish? HA. There would be no "Irish" had these people not done what they did. Just as O’Donovan Rossa fought for Irish political identity and independence, just as W. B. Yeats dug up the old Irish folktales and breathed into them new life, Joyce made it his life’s work to provide Ireland with new Irish literature it could claim as its own.

If you try to read "Ulysses" without assistance, you might as well read the text of the Tridentine Mass in Latin, knowing *nothing* of scripture – or Latin, for that matter. At least most of "Ulysses" is written in English. Joyce references other classical texts constantly, and even works in the voices of other authors who have been part of the classic canon of great literature.

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This is a book review by Theodore Dalrymple, a man of letter of no mean accomplishment. I reprint it here in full, without comment, except to say that his sentiments are remarkably similar to my own, despite our difference of faith. If you have not read Theodore Dalrymple before, you are in for a treat: in him, the old virtues of essayist and epigrammist and student of human nature live again, an avatism from a more cultured and learned age now lost.

What the New Atheists Don’t See
To regret religion is to regret Western civilization.
Autumn 2007

The British parliament’s first avowedly atheist member, Charles Bradlaugh, would stride into public meetings in the 1880s, take out his pocket watch, and challenge God to strike him dead in 60 seconds. God bided his time, but got Bradlaugh in the end. A slightly later atheist, Bertrand Russell, was once asked what he would do if it proved that he was mistaken and if he met his maker in the hereafter. He would demand to know, Russell replied with all the high-pitched fervor of his pedantry, why God had not made the evidence of his existence plainer and more irrefutable. And Samuel Beckett came up with a memorable line: “God doesn’t exist—the bastard!”

Beckett’s wonderful outburst of disappointed rage suggests that it is not as easy as one might suppose to rid oneself of the notion of God. (Perhaps this is the time to declare that I am not myself a believer.) At the very least, Beckett’s line implies that God’s existence would solve some kind of problem—actually, a profound one: the transcendent purpose of human existence. Few of us, especially as we grow older, are entirely comfortable with the idea that life is full of sound and fury but signifies nothing. However much philosophers tell us that it is illogical to fear death, and that at worst it is only the process of dying that we should fear, people still fear death as much as ever. In like fashion, however many times philosophers say that it is up to us ourselves, and to no one else, to find the meaning of life, we continue to long for a transcendent purpose immanent in existence itself, independent of our own wills. To tell us that we should not feel this longing is a bit like telling someone in the first flush of love that the object of his affections is not worthy of them. The heart hath its reasons that reason knows not of.

Of course, men—that is to say, some men—have denied this truth ever since the Enlightenment, and have sought to find a way of life based entirely on reason. Far as I am from decrying reason, the attempt leads at best to Gradgrind and at worst to Stalin. Reason can never be the absolute dictator of man’s mental or moral economy.

The search for the pure guiding light of reason, uncontaminated by human passion or metaphysical principles that go beyond all possible evidence, continues, however; and recently, an epidemic rash of books has declared success, at least if success consists of having slain the inveterate enemy of reason, namely religion. The philosophers Daniel Dennett, A. C. Grayling, Michel Onfray, and Sam Harris, biologist Richard Dawkins, and journalist and critic Christopher Hitchens have all written books roundly condemning religion and its works. Evidently, there is a tide in the affairs, if not of men, at least of authors.

The curious thing about these books is that the authors often appear to think that they are saying something new and brave. They imagine themselves to be like the intrepid explorer Sir Richard Burton, who in 1853 disguised himself as a Muslim merchant, went to Mecca, and then wrote a book about his unprecedented feat. The public appears to agree, for the neo-atheist books have sold by the hundred thousand. Yet with the possible exception of Dennett’s, they advance no argument that I, the village atheist, could not have made by the age of 14 (Saint Anselm’s ontological argument for God’s existence gave me the greatest difficulty, but I had taken Hume to heart on the weakness of the argument from design).

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A Retraction

Posted May 29, 2009 By John C Wright

One duty an honest man, especially one who brags he is a philosopher, dare not shirk is to admit he is wrong with the humility of a philosopher when proven wrong.  In a posting today, I expressed misgivings about letting my kids read all about Lavender Dumbledore.

The reader deiseach heroically steps forth to drive away the harpies of error preying on my feast of thought.

"Chastity is right: sexual perversion is wrong. Homosexuality is a sexual perversion, ergo wrong."

No disagreement there.

And I do agree that the revelation of Dumbledore as gay did feel tacked-on and clumsy, a propaganda point rather than an integral part of his character.

However – we don’t know that Albus was unchaste (the only jokes that could be applicable about the Dumbledore brothers’ putative love lives were those about Aberforth being arrested for "performing inappropriate charms" on a goat."

Quote from Wikipedia:

"While speaking at Carnegie Hall, New York City on 19 October 2007, Rowling was asked by a young fan whether Dumbledore finds "true love". Rowling said that she always thought of Dumbledore as being gay and that he had fallen in love with Gellert Grindelwald; whether Grindelwald returned his affections, Rowling did not explicitly state. That love, she said, was Dumbledore’s "great tragedy." Rowling explains this further by elaborating on the motivations behind Dumbledore’s flirtation with the idea of wizard domination of Muggles: "He lost his moral compass completely when he fell in love and I think subsequently became very mistrusting of his own judgement in those matters so became quite asexual. He led a celibate and a bookish life."
 
This may indeed be protraying Dumbledore in a sympathetic light, but it is certainly not saying that being gay is a happy, wonderful experience and that gay love is all flowers and rainbows.

Catechism of the Catholic Church:

"Chastity and homosexuality

2357 Homosexuality refers to relations between men or between women who experience an exclusive or predominant sexual attraction toward persons of the same sex. It has taken a great variety of forms through the centuries and in different cultures. Its psychological genesis remains largely unexplained. Basing itself on Sacred Scripture, which presents homosexual acts as acts of grave depravity,140 tradition has always declared that "homosexual acts are intrinsically disordered." 141 They are contrary to the natural law. They close the sexual act to the gift of life. They do not proceed from a genuine affective and sexual complementarity. Under no circumstances can they be approved.

2358 The number of men and women who have deep-seated homosexual tendencies is not negligible. This inclination, which is objectively disordered, constitutes for most of them a trial. They must be accepted with respect, compassion, and sensitivity. Every sign of unjust discrimination in their regard should be avoided. These persons are called to fulfill God’s will in their lives and, if they are Christians, to unite to the sacrifice of the Lord’s Cross the difficulties they may encounter from their condition.

2359 Homosexual persons are called to chastity. By the virtues of self-mastery that teach them inner freedom, at times by the support of disinterested friendship, by prayer and sacramental grace, they can and should gradually and resolutely approach Christian perfection."
 

Being homosexual need not be an evil in itself; it depends on how the person approaches that struggle. We have co-religionists who live chaste lives – try Eve Tushnet’s or CourageMan’s blog :-)

Indeed, I think this is a great opportunity to teach your children the Christian and Catholic approach. If we tell our children that all gays are evil, wicked, horrible people, as soon as they get older and go into the world and meet gay people who are not evil, wicked, horrible people, they will almostinevitably think we are full of nonsense and all our attitudes and beliefs about the sinfulness of the actively homosexual lifestyle are equally dunderheaded. And that’s where we will have failed to teach them properly about the reasons for the Church’s teachings and the nature of sin.

Teaching our children that it is not because the person is him- or herself evil, horrible, nasty and mean but that it is all about sin, our fallen nature, and the proper relationship of the soul to God is a different matter.

My comment: 

Well, who am I to argue with the Catechism? I owe Rowling an apology. She is not an agent of the darkness at all, but of the light, since she is showing both the harm that disordered appetites can cause, and displays clearly the correct and moral duty of a man suffering such disorder, which is to be chaste.

I must laugh at myself, and not because I am funny, but because I am wrong.

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On Philistinism

Posted May 29, 2009 By John C Wright

"I am so, so glad to know that my loathing for Ulysses is not because I am uncultured Philistine. I, perhaps, made it slightly farther than you, searching for the brilliance I was told lay inside, but if I did, it was not by much."

Philistine? The problem is that I am a philistine, and proud of it. I read an enjoy Pulp rubbish like THE SHADOW and DOC SAVAGE and children’s books like HARRY POTTER and THE HOBBIT, not to mention comics by Alexander Raymond and Jack ‘King’ Kirby. I enjoy popular action-adventure garbage like Homer’s ODYSSEY and patriotic pro-Roman propaganda like Virgil’ AENEID, and horrific Jack Chick godbotherer Xtian tracks like Milton’ PARADISE LOST. I am impressed with pagan filth like HYPERION by Keats and historically inaccurate drivel like IDYLLS OF THE KING by Tennyson. I also great the classics of great literature like Asimov’s FOUNDATION series and Heinlein’s STARSHIP TROOPERS.

However, all these trashy penny dreadful books I read, popular both my highbrow and lowbrow alike, have one thing in common. They have plot, character, drama, and moral purpose, and some even brush the heights of beauty with outstretched wing.

After Nietzsche killed God in an under-reported Deicide somewhere in the mid-1800’s, however, the intellectuals and thinkers of the West turned away from everything wholesome, normal and good, and erected new and shocking idols to whatever was tasteless, meaningless, anti-heroic, and antinomian. ULYSSES by James Joyce is their paramount written work, even as NUDE DESCENDING A STAIRCASE is their paramount work in the visual arts. The point of their art is what that eminent modern thinker, Dr. Frost of the National Institute of Controlled Experimentation, would call ‘Objectification’. The point of their art is to replace the natural human passions and appetites, which we have because we live on earth and yearn for heaven, for those which would obtain if we lived in hell and yearned for deeper hell: in poetry, clamor; in music, cacophony; in painting, smears; in novels, neurosis; in philosophy, unreason; and in all things, vice.

The real philistines took over the holy land, ejected the chosen people, and declared their worthless garbage to be wonders of wonders, and declared all the good and normal and wholesome works of art and literature to be populist trash unfit for their rarefied consumption: and they call us philistines and cowards, for not adoring their crude ugliness.

The reality is that we common folk with common tastes, we are the salt of the earth and the light of the world. The literati of the elite world of literature, they are Pharisees, and no doubt when on the Judgment Day comes to the world of art, the Nine Muses of the Hippocrene will cast them into Tartarus, where there will be wailing and the gnashing of teeth.

The secret of the modern age, and the key to understanding the modern intellectual clime, is merely to realize that the lunatics have taken over the asylum.

These works of modern so called art are called art because and precisely because they are the opposite of art: they are insolent trash. They are deliberately ugly, deliberately untruthful, deliberately vicious. They are philistines at their most philistine, because they, not us, they, cannot appreciate what is beautiful, true, and virtuous in art …. or in life.

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Dumbledore is Witty, Gay and Brave!

Posted May 29, 2009 By John C Wright

In a recent post I expressed reservations about reading Harry Potter to my children, since JK Rolwing decided to betray my trust in her by publicly announcing that Albus Dumbledore, one of the best and most beloved characters in the book, suffered from homosexuality. Those who point out either that Dumbledore never acts on his impulses in the book, or that the affection for Grisenwald (or whatever his name was) was not portrayed sympathetically miss the point entirely, so entirely that the fall into the trap set by Rowling. The point of her comment was not to show that homosexuality is admirable — even the most ardent pervertarians rarely say that — the point is to show that homosexuals are nice and normal people, and that therefore to condemn their vices is intolerant.

The devil need not convince you wrong is right; he need only convince you wrong is not as wrong as it at first seemed. He need only convince you that you can not and dare not condemn the sin lest the sinner also be condemned.

A concerned readers asks: 

"What exactly are you saying here? We should not read books with gay characters? We should not read books where gay characters are admirable, honorable, or couragous. They can be included as long as they are villians? What?"

Here is what I am saying.

I want my children to grow up knowing right from wrong. Chastity is right: sexual perversion is wrong. Homosexuality is a sexual perversion, ergo wrong. My mission in life as a father is to tell them it is wrong, but also to train their passions so that they habitually reject it as a vice. The primary tool to train the passions is the imagination: children learn virtues through stories.

Now then, arrayed against me are those who call themselves the Enlightened. I call them the Armies of Darkness. Their mission in life is to corrupt my children, to teach my children that I am wrong, and to train the passions of my children so that my children habitually recoil from making any judgments about virtue and vice, which, in effect, encourages vice. Their mission is to make vice seem normal– To make evil seem good.

The primary tool, nay, the only tool, that the Armies of Darkness can use is the imagination. No slave of darkness is  bold enough to actually debate the issue on a rational ground: those who attemptto debate it merely indulge in name-calling. Hence, debate is not a tool they can use for their goal.

The tool they use is the imagination: all that need be done to achieve the goal is to take some loathsome perversion, such as homosexuality, and to connect it, no matter how tentatively, to some beloved or amusing character.

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Ulysses by James Joyce

Posted May 29, 2009 By John C Wright

Here is the review I wrote for Joyce’s ULYSSES:

Dear readers, let me propose to you a simple test. Below are three quotes from Ulysses by James Joyce, and a fourth written by a computer program with no human editing, merely random words strung together without sense. You tell me which is which:

1. Slowly I dream of flying. I observe turnpikes and streets studded with bushes. Coldly my soaring widens my awareness. To guide myself I determinedly start to kill my pleasure during the time that hours and miliseconds pass away. Aid me in this and soaring is formidable, do not and singing is unhinged.

2. Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and Linbad the Yailer and Xinbad the Phthailer.

3. Pat is a waiter who waits while you wait. Hee hee hee hee. He waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits while you wait. While you wait if you wait he will wait while you wait. Hee hee hee hee. Hoh. Wait while you wait.

4. yes I think he made them a bit firmer sucking them like that so long be made me thirsty t1tties he calls them I had to laugh yes this one anyhow stiff the n1pple gets for the least thing Ill get him to keep that up and Ill take those eggs beaten up with marsala fatten them out for him what are all those veins and things curious the way its made 2 the same in case of twins theyre supposed to represent beauty placed up there like those statues in the museum one of them pretending to hide it with her hand are they so beautiful of course compared with what a man looks like with his two bags full and his other thing hanging down out of him or sticking up at you like a hatrack no wonder they hide it with a cabbageleaf

*

(It should be noted that this is the third time I have posted a review containing a quote from the book: the automatic filter which blocks out obscenity will not allow me to post my prior review here, because it contained a direct quote. That should tell the discerning reader something about this book.)

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Children’s Science Fiction

Posted May 28, 2009 By John C Wright

What Science Fiction & Fantasy books would you read to children?

This is kind of a hard question to answer because the boundaries of the genre called Science Fiction simply does not apply to the kind of books children tend to like.

For example, is ON BEYOND ZEBRA by Dr. Seuss a science fiction story? It has a conceit more imaginative than anything I have read outside the pages of VOYAGE TO ARCTURUS by Lindsay: namely, what if there were an additional alphabet, an undiscovered alphabet, beyond the boundaries of the alphabet we know. The idea is just as whimsical and imaginative as the conceit for Scott Westefeld’s MIDNIGHTERS, which asks what if there were an additional hour hidden in the crack of midnight that only certain people could enter. For that matter, how is the conceit of HORTON HEARS A WHO all that different from GIRL IN THE GOLDEN ATOM by Ray Cummings?

DOCTOR DOLITTLE’S ADVENTURES by Hugh Lofting or TREASURE ISLAND by Robert Louis Stephenson are equally beloved children’s books, even though, if we were to define SFF strictly, the veterinarian who speaks to animals is a fantasy element, his flight to the moon is a science fiction element, whereas a one-legged pirate seeking buried treasure has nothing science-fictional about it.

For children, all stories are stories, and the spice of fantasy flavors all of them. A tale about a runaway boy and an escaped slave rafting down the wide Mississippi is no less fantastic or romantic than a tale about a hobbit being hired as a burglar by a throng of dwarfs and trooping off toward the Lonely Mountain.

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Down the Slippery Slope to Sodom

Posted May 27, 2009 By John C Wright

Remember all those people of "alternate sexual orientation" who not only assured us that normalizing sodomy would not lead to normalization of other perversions, they grew rigid and white-faced with outrage at the suggestion that one perversion encouraged other perversions, and they took it as a deadly insult that their sexual malfunction would be called perversion at all?

They told us that slippery slope arguments are innately bogus. They told us that courts of law never operate by precedent. They told us that the conscience never operates by logic, such that if you undermine the reason for condemning a given sin, you also undermine the reason for condemning any other sin of the like genre. Remember all those discussions?

Remember when we all changed the English Language, and adopted comically elliptical euphemisms to avoid giving offense to those who take offense at plain truth plainly spoken?

Remember how every loud-mouthed politically-correct Tolerance Nazi repeated in robotlike unison that it was impossible that homosex marriage would lead to further erosion of sexual norms?

Well, this article suggests that there is a slippery slope involved. I cannot vouch for this article, since I cannot find the referenced language in the legislation. Read it and make your own judgment.

Here is quote from the article:

During floor debate on H.R. 1913, the Local Law Enforcement Hate Crimes Prevention Act, Rep. Alcee Hastings (D-FL) admitted that this so-called "hate crimes" bill will protect the 30 mostly bizarre sexual orientations listed by the American Psychiatric Association. […]

"The term sexual orientation," this proposed amendment said, "as used in this act, or any amendments made by this act, does not include apotemnophilia, asphyxophilia, autogynephilia, coprophilia, exhibitionism, fetishism, frotteurism, gerontosexuality, incest, kleptophilia, klismaphilia, necrophilia, partialism, pedophilia, sexual masochism, sexual sadism, telephone scatalogia, toucherism, transgenderism, transsexual, transvestite, transvestic fetishism, urophilia, voyeurism, or zoophilia."…

This is serious business. Mr. Speaker, we can’t legislate love, but we can legislate against hate. This legislation may not rid us of the intolerance and prejudices that continue to taint our society, but it will provide an added deterrent to those for whom these feelings manifest themselves into acts of violence. They will be fully aware that, should they commit a hate crime, there will be no lenience and they will not slip through the cracks of the American legal system.

Further, passage of this Hate Crimes bill will increase public education and awareness and encourage Americans to report hate crimes that all too often are silent.

The article explains some of the terms:

  • Apotemnophilia is the erotic interest in being or looking like an amputee.
  • Asphyxophilia is a sexual practice, of arranging to produce asphyxiation during sex.
  • Necrophilia is the sexual attraction to corpses.
  • Pedophilia is the sexual attraction to minors
  • Telephone scatalogia -The love of making obscene phone calls.
  • Zoophilia -Also known as bestiality

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Personal Appearance! — and some Wedding Photos

Posted May 21, 2009 By John C Wright

I am going to Balticon — the Baltimore Science Fiction convention with my lovely wife, world famous authoress L. Jagi Lamplighter, who in our house is called She Who Must Be Obeyed. To be held Memorial Day Weekend May 22-25, 2009 At Marriott’s Hunt Valley Inn, Baltimore, MD.

Click her for a Pic of L. Jagi Lamplighter!

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Star Trek as good as Star Trek

Posted May 20, 2009 By John C Wright

The new Star Trek movie is not just good, it is excellent. I say this with the full authority of someone whose entirely life was based on Mr. Spock, a fictional character from an imaginary planet. I say this as a man who not only saw "The Questor Tapes" but also "Genesis II" and "Planet Earth". I am a Star Trek fan of the first caliber. I was prepared to dislike and over-react to every minor deviation from the established canon of Holy Saint Roddenberry.

No dislike and no overreaction is needed. The film is good, perhaps great. It is the best version of Star Trek since, well, Star Trek, and I would say the second best of the Trek films, ranked one notch below WRATH OF KHAN.

I will write a review in the near future. Until then, let me merely add one more pair of hands to applaud what turned out to be a very, very pleasant surprise.

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Alan Moore and G.K. Chesterton

Posted May 18, 2009 By John C Wright

From a review by Nialmor of the WATCHMAN funnybook, oops, I mean Graphic Novel  Read the whole thing here.

Moore also seems to imply that conventional heroism will not save humanity because in the end there is no moral difference between the so-called heroes and so-called villains. The Comedian and Rorschach are just as brutal and sadistic as their alleged enemies. The US government recruits The Comedian for all manner of despicable "black ops" missions that the government can later deny. The only "supervillain" we actually see, the former Moloch the Magician, is no longer a master criminal; when Rorschach terrorizes him in order to gain information, Moloch is just a sick old man dying of cancer who wants only to be left alone. Nite Owl, the character most like a conventional superhero, with a genuine desire to do good, is literally and figuratively impotent, both in the sense of being unable to affect the story’s outcome and in the sense of being unable to consummate his desire for Silk Spectre–unless he is wearing his Nite Owl costume.

In his essay, ADefence of Penny Dreadfuls, written more than a hundred years ago, G. K. Chesterton argued that popular fiction, ranging from fairy tales to the epic adventures of King Arthur and Robin Hood, and even the "penny dreadfuls," or mass-produced sensational fiction of his time, served two purposes. It fulfilled a basic human longing for stories of heroism and adventure and it taught a basic moral code. Chesterton responded to the so-called intellectual sophisticates of his time who looked down their noses at "penny dreadfuls" even as they looked down their noses at the moral codes contained therein:

And with a hypocrisy so ludicrous as to be almost unparalleled in history, we rate the gutter-boys for their immorality at the very time that we are discussing (with equivocal German professors) whether morality is valid at all. At the very instant that we curse the Penny Dreadful for encouraging thefts upon property, we canvass the proposition that all property is theft. At the very instant we accuse it (quite unjustly) of lubricity and indecency, we are cheerfully reading philosophies which glory in lubricity and indecency. At the very instant that we charge it with encouraging the young to destroy life, we are placidly discussing whether life is worth preserving.

Chesterton argued that in many respects he preferred the simple morality of the "penny dreadful" and the people of the lower classes who read them to the fashionable despair of the intellectual elites:

So long as the coarse and thin texture of mere current popular romance is not touched by a paltry culture it will never he vitally immoral. It is always on the side of life. The poor–the slaves who really stoop under the burden of life– have often been mad, scatter-brained, and cruel, but never hopeless. That is a class privilege, like cigars. Their drivelling literature will always be a "blood and thunder" literature, as simple as the thunder of heaven and the blood of men.

I would suggest that the pulp novel, the old time radio show, and the Golden Age comic book of the 1930s and ’40s were the successors to the "penny dreadfuls" of Chesterton’s day. No one could possibly confuse the high-mindedness of Superman or the Shadow’s stern warning: "The weed of crime bears bitter fruit! Crime does not pay!" with the nihilism and brutality of Rorschach and The Comedian. When I was a boy, I wanted to be Superman. Some days I still wish I could be. Who would want to be Rorschach?

I would also suggest that in Watchmen, however, we have what Chesterton might have regarded as the worst of both worlds: a work of popular fiction infected with the nihilism and cruelty of the intellectual elites. It’s the product of a "paltry culture" indeed, if reviewers think that such a thing qualifies as high art. Watchmen is not "on the side of life;" it is, at its heart, on the side of death. It reeks of hopelessness and despair. It holds that the thunder of heaven is merely thunder and never the voice of heaven; and that men and women never spill their blood for any good purpose, even to save their country, their family, or each other.

My comment: Anyone who mentions both Chesterton and The Shadow in the same paragraph has won my favor, and therefore shall be made one of my ministers and granted way-cool ninja-jedi Mind Control powers, once my dirigible planet enters the solar system from the transplutonian darknesss. Perhaps I will make him master of Australia, and wed him to my beautiful but evil daughter, Princess Aura. 

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Winsome

Posted May 16, 2009 By John C Wright

Mark Shea has written about some contemporary Catholic Science Fictioneers, and mentions yours truly.

The article is here. I like this paragraph.

Science fiction is a genre whose founding fathers and mothers tended very often (though not exclusively, of course) to be the sort of people who were hard-boiled atheists of the Arthur C. Clarke/Isaac Asimov mold — people who spoke the word “Science” either with a sort of religious reverence or with the sort of stentorian triumphalism of a Thomas Dolby tune (“SCIENCE!”). Some of them, like H.G. Wells, managed to achieve both science worship and stentorian triumphalism in their work, writing books which were combinations of fun narrative and some of the preachiest, creakiest, most antiquated prophecies in print. Somebody, somewhere, has a doctoral dissertation practically written for them comparing the hilarious naïve socialist utopian optimism of Wells (who was hailed as the Voice of the Future in his day) and the disturbing prescience and truly prophetic work of his contemporary G.K. Chesterton, who was thought to be archaic by Progressive types, yet who foresaw many of the catastrophes his clever contemporaries would unleash by their inhuman theories. Simply reading Chesterton vs. almost the entire weight of pre-Holocaust Enlightened Opinion on Eugenics is enough to cure a person forever of any faith in Enlightened Opinion.
 

The paragraph which was about my favorite topic, me, was this one:

Likewise, new converts like the inimitable John C. Wright have a jolly time meeting the fans (a big percentage of them non-Christian with a formidable background in the sciences, philosophy, and literature) and speaking to them in their own terms. Wright, a convert to the Catholic Faith from atheism via non-denom Christianity, is a winsome fantasy writer, an original thinker, and a man bubbling with creativity. He is also just plain funny and equally at home in discussions of artificial intelligence and the need for more Space Princess pulp fiction. He has the knack of empathy and remembers his own difficulties with the Faith well enough that he can speak to those who still have them, while believing very deeply in the teaching of the Church and articulating it clearly.

Original thinker? I suppose if we define the term ‘originality’ to mean that I know good places from which to steal myideas, well, yes.

But winsome? Me? I am not even sure what that word means.

Let me fly to my dictionary:

win·some (adjective) Middle English winsum, from Old English wynsum, from wynn joy; akin to Old High German wunna joy, Latin venus desire: 1. generally pleasing and engaging often because of a childlike charm and innocence.

Hm. Let me look farther:

 
cur·mud·geon (noun) origin unknown. 1 archaic: a miser 2.  crusty, ill-tempered, and usually old man.
 
 
Well, I know which one I would have picked to describe me.
 
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