Archive for February, 2008

Kirkus Gives Outstanding Review to NULL-A CONTINUUM

Posted February 29, 2008 By John C Wright

The March 1st issue of Kirkus Reviews gives Null-A Continuum a starred review! The full review follows.

A star is assigned to books of unusual merit, determined by the editors of Kirkus Reviews.

The books of Golden Age great A.E. van Vogt (1912-2000) inspired Wright (Fugitives of Chaos, 2006, etc.) to pen this authorized sequel to The World of Null-A and The Players of Null-A.

The background will be familiar to all van Vogt fans. Gilbert Gosseyn is serially immortal-if killed, he wakes, memories intact, in a duplicate body. Not only does Gosseyn not know his origins, but he’s being manipulated by an unseen cosmic “Chessplayer” for purposes unknown. And he has two brains: the second can control energy and teleport him vast
distances. While attempting to find out who he is and why he’s being manipulated, Gosseyn defends Earth and Venus against an interstellar plot, then halts the invasion plans of precognitive, clairvoyant dictator Enro the Red’s galactic empire. Among Wright’s contributions:

ROSEBUD IS A SLED! A SLED! DARTH VADER IS LUKE’S FATHER! BRUCE WILLIS IS A GHOST! SOYLENT GREEN IS MADE OF PEOPLE!

[I am kidding, sort of. The reviewer, somewhat clumsily, next lists my carefully constructed plot surprises, one after another, in a fashion meant to spoil them. More in sorrow than in anger, I wield the scissors of Righteousness to censor the offending comments, that the virgin purity of my reader’s ears might be preserved. The review concludes with these words:]

 Van Vogt would have reveled in such dialogue as: “Does he know that an extra-dimensional superbeing called the Ydd is using him to destroy the continuum?” The enterprise culminates in such preposterously magnificent intricacy anddensity that even the elucidations of the explications require explanations.

Must have been as much fun to write as it is to read.


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Wow. Look what I found on the web

Posted February 28, 2008 By John C Wright

I have no idea who this is:
http://tubamaster.net/DramatisPersonae.html

Really useful chart for reading ORPHANS OF CHAOS. I only wish he had included a table of oppositions, so you knew whose powers trumped whose.

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A Chapter at Random out of the Middle of My Current Project

Posted February 27, 2008 By John C Wright

A reader, with whom I CLEARLY had an enforceable contract at law, said that if I finished the chapter I was working on this week, he’d rush right out and buy a puppy. Or something like that. I forget the details. In any case, here is the chapter. I post it here merely to demonstrate to a scoffing world that I do from time to time work on my novel:

* * *

AD 2393-2394

The few months were eventful, with ups and downs but mostly ups.

November and December were summer months in the Southern Hemisphere. Menelaus spent the hot days washing dishes. Right off, Gaberlunzie had found through his beer-brewing friend Walling, a restaurant in the Old Quarter which refused to use modern self-cleaning silverware or disposable dishes.

Patagonians melted and recast the plates into temporary shapes, each one bearing, for the one hour of its existence, a garish advertisement of cartoon harlequins or saucy short-skirted soubrettes; or the emblems of favored noble families or sports figures, agleam with golden stars and waving plumes. The more well-to-do thaws of the Old Quarter wanted to eat on a white plate that would not offer them a menu, play the marimba, or utter warnings in little chipmunk voices when the food was too hot.

 

Naturally the dishes had to be cleaned by hand, in a sink, since the last automatic dishwasher manufacturer had gone out of business over a century ago.

Menelaus did not mind it a bit. It was honest labor, and it left his mind free to wander through the airy landscapes of the new math system he was learning.

He could work with his goggles on, tuned to half-transparency, and his eye-motions or muttered commands were sufficient to write notes and proofs, or set bookmarks in motion to dog-ear certain passages and pages he needed to examine later in detail.

The other advantage of dishwashing was that, at the end of his shift, he could see the results of his work. He knew, because he had calculated it, the exact value in the point notation, what each stack of plates was worth in his bank book. He would take a picture of the gleaming porcelain stacks he’d piled up, and he would superimpose the image, one stack atop the previous, so that, at the end of the night, he’d have a doctored photo of the ever-growing tower of plates he’d scrubbed. Night by night, he watched the stack of plates grow slowly up past the windows and chimneys of the restaurant.

Meanwhile, Gaberlunzie used the search equation Menelaus had devised to find those people, hidden in the myriads of the data environment, worthy of interviewing or investigating. After his shift at the Restaurant, Menelaus would sit in the washroom at the Newspaper offices, and he would tinker with the parameters for hours, and then run the system search for a few seconds, and turn up the oddest overlaps and coincidences of the several demographic profiles Gaberlunzie was interested in. Gaberlunzie ran across several stories hidden in among the drama of the thaws of the Old Quarter, including one time he solved a murder mystery that had been puzzling historians for years, by finding a still-living witness among the thaws.

The Mercury newspaper rewarded Gaberlunzie with more inches of column in the hardcopy, and higher priority feed in the data environment.

By the time the Autumn leaves fell in March, the two men were able to afford Japanese-style sleeping shelves in a ladder-serviced hotel rack whose air was clean and sterile as a hospital’s. The shelves were no bigger than coffins, too small to stand up in. And the expense, when calculated over months, was actually higher than a more expensive walk-in apartment would be. But the claustrophobically narrow coffins did not smell of urine and despair, and the drawers, plumbing, and fold-out appliances in the walls were as exquisite in their space-saving efficiency as any Menelaus had ever seen aboard a ship. There was even a neatly-packed bag and hose system for taking a shower lying down. And the walls and ceiling of the coffins had stereo-optic fabric woven in, to allow one’s eyes to focus on some distant, if imaginary, scenery.

Gaberlunzie’s coffin ceiling was tuned to views of the green hills of Oxfordshire, the mysterious figure of the White Horse of Uffington. Menelaus had his walls, ceiling and floor of his sleeping coffin covered with star charts, and three-dimensional a dense maze of mathematic symbols. He would fall asleep between flowing equations and tables of opposition for multi-valued logic systems.

The time came when he had washed enough dishes, even with the collection agency taking nine tenths of his wages, to buy a handsome new suit and a haircut. He visited the seamstress, who, instead of asking him about his build, asked him about his prospects.

“I have worked with Thaws before,” said the seamstress, a narrow-faced dark-haired woman with flinty hard eyes, but her angelic face showed that she had expensive tastes in plastic surgery, or perhaps a patron among the upper classes. “The cut of cloth can be conservative, but not so old fashioned as to look ridiculous, and yet with that hint of dignity which can lend a nostalgia to the atmosphere of any affair. You understand atmosphere?”

She was speaking Spanish, of course, but the translation was clear enough. “Sure, Señora. We old folks look good dressed up,” he said.

“It is your carriage, how you hold yourself. I will expect you to cure that ridiculous leg, of course. Stupid of you to look crippled! Stupid! My pantaloons are a work of art. You understand art?”

“Yes, I understand art, but I was only coming in here to get a suit.”

“Your face is no good. It has a stupid look. You understand? You need to find a doctor, a sculptor, to give you a smart look, the look of a hawk. Otherwise, my suit, my work, all gone to waste! Pwaphf! It is not to be born!”

The shop was composed entirely of mirrors on the inside, and huge plate glass walls looking out on the boulevard. There was no place to change that Menelaus could se, no fitting rooms. Maybe people just stripped nude in plain view of the street? It would not have surprised him.

And he was attracting stares from passers-by. A group of schoolgirls in uniforms were pointing and giggling. An abnormally tall, dark-skinned man dressed in a lion skin was sizing him up as if he meant to take a poke at him, and he lowered his head to make some sardonic comments to the señorita draped catlike on his arm. Her goggles flashed in the sunlight when she tossed her head and smiled.

So, then. Too many witnesses to give this thin seamstress a swift kick in her skinny rear. Anyway, Menelaus was too well brought up to hit a girl. He’d have to look up her brother or husband or something, and beat the tar out of him.

“Sorry about my stupid face, but I figure I need some nice duds…”

“No, no! The question iswhat will you do with my suit? With my name? For I can already see the look that will bring out your character. Once you fix your face, of course. Something bold! But not too old. The Aristo do not like to be reminded of the time before their time. A wide hat, with a brim, of course. A half-cape! But where will you be seen?”

Menelaus was in the act of clicking through his goggles to find out where this woman’s brothers or fathers lived, where her goggles changed color, and she started a conversation with someone else. With one hand she shooed him toward the door, dismissing him.

Her parting wordsMenelaus thought she was talking to him, but one never knewshouted after him along the street, were these: “Send me a list of the affairs, the places where you will be seen! And no more walking in back alleys! The lighting, the texture, is terrible! You must stay in places and along streets that are bright! Walk in parks, because green will bring out the hue, the highlights! You will make my designs famous, I am sure!”

He stopped at a café for a coffee and a smoke. A driverless car approached and called to him, and when he walked over, he found a package containing his new suit.

Menelaus stepped into the car and changed there. The Patagonians might not have a nudity taboo, but he was a civilized man.

The suit looked mighty fine. He did not need a mirror; he could get the point of view from any nearby street pole or doorpost to feed into his goggles, and look at himself from any angle.

It was a very dark pigeon-gray color, with a long coat, and oddly bloused-out leggings like a Japanese hakama. There was a colorfully patterned bolt of fabric that hung from one shoulder, and it might have been a Hindu fashion, or it might have been a Mexican one, like something a futuristic gaucho would wear. The fall of the drape hid the crookedness of his leg.

There was also a hat, a wide-brimmed low-crowned black affair, with a stylish brim decorated with jade and silver. With it clamped on his head, his face no longer looked as narrow and bony, but the shadow of the brim gave him the grim look of a figure of mystery.

A walking stick completed the outfit. It was made of cherry wood, and set with silver clasps. It looked like a miniature version of the long wands the dark giants bore. While carrying a stick would have seemed ridiculous to anyone back in his home town, Menelaus certainly did not mind leaning on something with his leg acted up, and the people here might just think he was a soldier like the giants were.

It was not until he was limping home that he realized he had not been buying a suit. Rather, she had been hiring him to wear an advertisement, in effect, for her skills. She was lending him her reputation, in the hope that it would augment her own.

So the days when the customers were always right were over, Menelaus thought darkly.

And he walked slowly home the long way around, despite the ache the long walk played with his bad leg, because he did not want to be photographed in an alley, or against a background not flattering to his lovely new suit. He stuck to the parks, as instructed.

1.

Menelaus only had to go back to the seamstress four more times to have minor adjustments made. She stood there with tape measure in hand and pins in her mouth, making chalk marks on the fabric. It was not smart fabric, so she could not make a mark on it just with a gesture from a stylus.

Some things had not changed. Even the future did not seem to be able to solve the problem of how to get a nice suit to fit right.

People wanted diversion more than they wanted clean dishes. With his new suit, Menelaus started to accept the invitations Gaberlunzie had sought and found for him through a publicity-seeking service.

2.

AD 2395-2397

With his rock-bottom notation rating, of course, no one important or even modestly well-to-do could afford to be seen with him. Nonetheless, the tale of the Man who Missed the Ship, the chance to meet him, made it worthwhile for certain families of the comfortable lower-middle ranks of society to invite him to certain events, dinner parties, charity fame-raisers, formal balls, bear-baiting.

These people, despite that they wore television computer screens before their eyeballs night and day, despite that they had endless libraries of past and present works able to appear in a twinkling, were oddly hungry for real-life naked-eye entertainment. And yet so artificial was their sense of how people spoke and emoted, Menelaus found himself being a play-actor in all these scenes, portraying, with much difficulty at first, their notions of what a man from the past might act like.

As years passed, with constant study and many sleepless nights, with painstaking care, he grew accustomed to it, and was able to hold himself credibly well. He had not understood, at first, that he could never tell the same joke twice, and his most important historical event, his missing the sailing of Hermetic, he had wasted in his first dinner party, and awkward affair with an unimportant Toledo family with five silly daughters, of no predominance and of no connection. Wasted—because no one wanted to hear the anecdote again. Once he had said it in public, it could just be looked up—and if he said it twice, both versions looked up and all the discrepancies compared.

Then, two years into his painful effort, he stumbled onto the key. Any little tale he told of his life at Bridge-to-Nowhere, the gossipy things apprentices talked about, the odd doings of his odd neighbors and odder friends, he could tell with a relaxed, unaffected fashion, portraying some particular sadness or lively joke, and deliver his punch-line with adroit timing. It was no worse, really, than speaking before a jury; it was no worse, really, than facing a man in the cold damp dawn-hour with a pistol.

Every tale about Stinky Feckle or Soapy Throwster made the girls look sad, of course, because all his friends and folks were dead.

And he could lie. There were no records to look up. The Yellow War had decimated the records the West Coast of the Reunited States, and the Boers and Patagonians of last generation had expended no particular effort to scan-code the records in from incompatible Anglosphere systems.

No one knew his neighbors had not included Pecos Bill, Paul Bunyan, Bre’r Rabbit, and Daniel Boone.

Menelaus had never been on a Whaling Ship, but these modern folk has so little understanding of history, that he told them he had served on the Pequod before the mast, a ship covered with the teeth and bones of whales, and told them of the antics of the noble Queequeg, the dour Starbuck, the good-humored Stubb, the pragmatic Flask, none could question it. He could fill in minute details of the practice of whaling, which were so boring and particular, that no one could doubt their authenticity.

Too bad he never found the end of that story—boredom had overwhelmed him before he reached the finish of it. But he was sure that Captain Ahab overcame his foe. A man with an obsession that strong, a will that iron-hard, could not be defeated in his quest, Menelaus was sure of that.

And so he told them sea stories, even though he had never been to sea, and war stories, mixing truth and falsehood, mingling his own seven months of service with the ten years of the his namesake Menelaus from Homer’s Iliad.

The elite of this day and age believed (and rightly so) that Menelaus killed three men in gun-fights, and so why should they be unwilling to believe his stories about the Horse-Captain Achilles of the Federal Mounted Military Police? The one seemed no more fanciful, to them, than the other.

Menelaus, at more that one soiree (and he would never tell the whole tale in one sitting, but always broke it off at a cliffhanger) spun the yarn of the anger of Captain Achilles of Austin, a fierce and choleric officer in the Aztlan war, who went AWOL when his pay bonus was cut short, and did not return to the siege of Mexico City until his best friend, Lieutenant Patrocles, went into battle wearing his Captain’s armor and helm, and was cut down by Antonio de Santa Anna, the enemy general.

One boring party or foolish sporting event at a time, he was gaining connections, winning admirers, increasing his store of little electronic notation points, more precious than money. Menelaus worked his way up the social ladder, slowly at first, and then more rapidly. He was a curiosity: a nonesuch. People wanted to see him in person.

By the spring of 2397, he was entertaining dames, then countesses, then marchionesses. By the autumn of that year, he was invited to the affairs of duchesses.

3.

Menelaus was invited, first to a wine-tasted patronized by the Duchess of Salerno, a woman of imposing girth and dignity that Menelaus found himself unable to charm, and next to a horse show held by the Duchess of Alba, a thin gray-faced mummy he was not allowed to approach.

There were tables set on the lawn of a green hillside, from which a clear view could be had of the horses on display, walking, trotting, galloping, on the level field nearby. The leaves had turned, and the autumn colors swirled and played on the wind.

Menelaus thought it was the wrong season for horseracing: back in his day, the Kentucky Derby was held in early summer. (Of course, back in his hemisphere, May was a summer month, not late fall.)

He never actually saw the Duchess of Alba. She was seated at the main table, which was on a lawn overlooking the race circus. The horseflesh of this day and age was something to see: the steeds were easily twice as fast as the record-breaking champions of his day, and he was bitterly sure biomodification or drugs were involved. The steeds ran like deer; the grace of their motion made him glad to be alive.

Menelaus was seated with other freaks and oddities. The first was a man who wore a bag over his head, who tried angrily to convince Menelaus that the world was flat, and that all space shots were frauds. The second was a track star who had had his feet replaced by horse’s hoofs, who claimed to be able to outrun racing steeds, and wanted his listeners to wager with him. The third was a boy of thirteen who had murdered his parents and younger brother, but who could not be accused under Patagonian law until next year, at which time he was almost certain to be executed. Menelaus wondered at the boy’s nonchalance, and could not understand why no one had strung the devilish little killer up. The fourth was an attractive but vapid heiress to a hotel fortune, whose claim to fame seemed to be that she had copulated with a goat in public not long ago, on the roof of one of her father’s expensive inns. The last claimed to be the final living member of the Alacaluf tribe of Tierra del Fuego, a sad-eyed old man with a wild mop of hair, who walked about stark naked, carried a bone-tipped spear, and ate a penguin during the repast.

The Alacaluf was actually a fascinating conversationalist: he was hoping to convince the duchess to support a relaxation of the biotechnology laws, so that he could clone and raise twin brothers of himself from babies, that his tribe and language might not perish utterly from the Earth.

“We have been called the most hardy people of all time,” he said sadly.

Menelaus stared in fascination at his face, which was a mass of wrinkles. The naked eyes were like pools in a deep forest. His flesh was the color of a bruise. His nose hung like a pendulous beak over a thin-lipped mouth. There was something solid about that face, something real, the Menelaus had not seen in the other faces here.

“My fathers walked in the sub-arctic winds without boots,” said the old man, “Without any coat or cloak. My fathers rubbed themselves in fish oil or seal oil. Naked we faced the world, and we endured it. You could not have withstood the cold even of our summer months, but for undershirt, shirt, coat, overcoat. No one knows how we adapted to the cold: the gene and the mutation is not known, even now, for there are none of us left to study. We were hunters, and wanderers, men of the spear and of the harpoon; and our canoes were more study than our huts, when we paused to weave huts. Aboard the canoes, held in sand, our fires burned, because we did not hide our comings, but we followed the seals into the oceans of ice. We built portages, some of them reaching for miles, to haul our boats from sea to sea. When Magellan found us, he called us giants.

“We feared no one,” the old Alacaluf said in a voice tired beyond bitterness, “Save Setebos, who is the dread spirit who drives the game away; we bowed to no one, save Watatauinewa, the Old One, and He made the world and hung the stars above us.”

“You would have made a good Texan, I guess,” said Menelaus.

“The Old One made the first man, and painted him, and so on the day the boy of my people becomes a man of my people, he is painted. For that day, he is as the first man was: he takes a stone and knaps the head of a harpoon from flint, so that we knew the first man hunted with us, and will bring game. It is not good when the children starve, or they have to be left for the sea to take.”

The old Alacaluf now looked right and left at the colored throngs of pretty dark-haired Spaniards, all eyeless behind their glittering goggles, all shining in their fabrics of blue, pigeon-blue, purple, white and scarlet, women in flowing silks, men in dark coats and feathered headgear, watching artificial beasts only somewhat related to horses speed down the greenway. In every hand was a crystal glass of Champaign, or a toothpick of candied fruit, or a luminous wand whose meaning Menelaus did not know.

“It is a strange world,” said the old Indian finally, sighing. “Perhaps it has slipped out of the hand of the Old One. There may be men after me, white men and black men, giants ever taller than what Magellan saw. But they will not be men of mine. They will not look on me as a man. I am the last man, and I cannot become the first man again merely by painting my skin.”

Menelaus said: “Why do you obey the White Man’s laws?”

The old man merely shook his white-haired head with great sorrow, but with great dignity.

“If you want to use biotech to clone yourself,” Menelaus said, “To get yourself a family, who is saying that is wrong? Who dares stand in your way?” And there was a snap of anger in his voice, so that the thirteen-year-old murder-boy seated two seats down from him flinched and picked up a steak-knife. Menelaus casually stood up, taking a firm grip on his walking stick, so he could break the child’s skull with a quick move if the brat was dumb enough to try something. At least, he thought it was casual.

A murmur ran through the crowd, and a some of the people stopped cheering for the horses. Even though no head was turned this way, they were (Menelaus realized) watching carefully though their goggles. At him? Wait for a fight, a murder?

Menelaus realized he had to offer to help this man, and not where everyone was watching. “How is the game, these days?”

The old man nodded. “Plentiful. During the war, my ancestors thought you were all dead, you know. All the Spaniards. Your roads were empty, and we moved north with the snows. Your lights went out and your power failed, and you could not live without light and power, when the ice-winds blew.”

“I lived in those times,” said Menelaus. “We called it the Japanese Winter. It was a military experiment gone wrong.”

“We multiplied. There were perhaps five thousands of us, and the game returned so abundantly, that we thought the years of the first man had come back. The shaman spoke of an ending to all the years. The land comes to an end with the sea; why should the years go on forever? But it was not the end of years, and the prophecies of the shaman did not come to pass. The tale of my people is ended, and the ending is not a happy one.”

“A lot of prophecies I heard didn’t pan out neither,” grimaced Menelaus. “Otherwise they’d be a moon-base by now, and I’d have that jetpack I’ve always wanted since I was a kid. Do you know jetpacks?”

The old man raised his hand, and said with a smile, “How could I not? Every time I walk down the street, some other kind heart offers me a pair of Mann goggles. They think I am blind without them. So I see motion funnies.”

“Motion funnies? You mean pixies, uh, animated cartoons?”

“I have seen Familia Del Cohete. I like the episode where the robot maid is broken, and pours coffee into the pants of Jorj de Cohete. Heh eh. And there is the one where little Juan writes a code for his Moon Scout troop, and the teenager, Julia, sends it into a song contest, and wins a date with Elvitrono Scramjet, the American rock star. Did you see that one? It is a classic. It will last forever.”

“No. Um. My mom, she weren’t one to let me watch pixies. Said it would stunt my learning.”

“Ayah! If my mother had been so strict, perhaps I would now be a man of accomplishment, as you are.” The eyes twinkled.

“Why? What’m I famous for? I missed my ship when it sailed.”

The old man laid a slender hand on his, and the touch was as light as cobweb. “You were up in the sky when you missed your ship. A star-sailor. None of my people, not even in our stories, not even in our dreams, sailed canoes up past the moon. We do not have a name for the planet Saturn. When the missionaries asked us our name for the moving stars, we had no names. Hunters in the cold have no time to lay and watch stars. But you! You were like Jorj de Cohete, no? Like a man in the funny-pictures, with a rocket under your feet. I am seeking notation points as you do, but I must seek pity. You seek admiration. Pity is venom, like in a snake’s tooth. Every day I feel a snake bite.”

Menelaus realized this man probably dressed normally at home, wherever home was for him. Probably some Old Folk’s Home, smelling of disinfectants. The whole Indian thing was an act, something he really had not much choice about. The Alacaluf was just as much inside Gaberlunzie’s barbwireless workcamp as Menelaus was.

“Let’s go hunting,” said Menelaus. “Or fishing. Ice fishing. For old times sake. You can wear a parka if you like. Leave that smelly fish oil off. What do you say? Just us, no goggles, no cameras, out in the wild where men can do as they like, talk as they please.”

The old man smiled and nodded.

“For old time’s sake.”

Menelaus, as he was leaving the party, made of point of donning his goggles as soon as it was polite to do so. He put them on, and scanned the area, first from a bird’s eye view, then from the party invitation menu, until he found the Alacaluf. He trained his goggles on him so the prompt would show the old man’s name: Yp’pa Takau-taku (no translation available).

4.

The proposed fishing trip into the Antarctic was apparently attracting notation, because Gaberlunzie reported, the next day, the offers from sporting good stores had appeared in his message center, will to lend Menelaus fishing and camping gear made of lightweight, sturdy materials.

This included a canoe that looked as insubstantial as cigarette smoke. It was made of a rigid foam called aerogel. This was a substance from the Postlunar First Space Age, lost during Menelaus’ lifetime, now rediscovered: a super-light, super-strong material in which the liquid components of the gel had been replaced with a gas. This one was made in zero-gee, in an orbital factory. The whole canoe was made of small, light replaceable panels. Despite the strength of the feather-light material, it could shatter like glass. This canoe was chemically treated to make it hydrophobic, as if it had been coated with oil, or a thin layer of grease. Menelaus could not wait to see the vessel’s performance in the water.

The fishing rod was likewise a thing of wonder, light and flexible and impossible to break, and instead of a reel, there were some sort of spinnerets like spider’s organ dotting the whole length of the shaft, able to make line as long as needed, and able to reel in at the touch of a thumb button. Menelaus spent an hour merely toying with it, trying to snap knickknacks off Gaberlunzie’s neighbor’s desks in the newsroom by fly-casting his weighted lure across the room.

“You want to try this?” Menelaus asked an exasperated Gaberlunzie, who was puffing his weighty frame here and there around the room, trying to put back the jade statues, goggle-rechargers, saint’s medals, coffee racks and datacard holders Menelaus was carefully knocking off newsdesks onto the smart-carpet. The smart-carpet surrounded each fallen object with a circle of attention light and whistled for the cleaning-turtle each time that happened.

“The trick is, in flycasting the weight of the line carries the fly to the fish. Its not your strength, but your timing that counts. See? Short arcs into the top of the rod for a short cast, like that vase right there. But load a more powerful stroke into the middle and bottom of the rod for a long cast, like that lightswitch. Oops. That wasn’t a lightswitch, was it? What’s it do? Call the police?”

Gaberlunzie sighed so heavily that his moustaches flew. “It does what everything does in Patagonia. Costs us debt points.”

“Old Yippie and I are going from Hoste Island, across Cook Bay and up Whaleboat Sound, to Londonderry Island. I am amazed this expedition attracts more attention from the media sluices than, I dunno, dinner with the Duchess, or something.”

“Whenever you try to get away from the public attention, it attracts public attention, I suppose. In those winds, in the dead of winter, not even a police spy-mosquito will be able to keep abreast of you. And for reasons you can explain better than I, no satellites are in geo-synchronous orbit above the Antarctic.”

“Its because when your inclination is ninety degrees, like in a polar orbit, the longitude of the ascending node has to be…”

“Please. When I sit down to write an article about orbital mechanics, I shall be fascinated with every detail of the topic. Otherwise, the only way to maintain a proper diet of the brain in this information-overweight age, is to vomit out whatever one cannot at the moment swallow and use. On-demand data, so to speak.”

“Gaberlunzie, this is a simple idea. Look at this orange. Or whatever this is. You cannot stand still over the pole of the rotating body, because your orbit has to carry your over both poles if….”

Gaberlunzie took off his goggles, and rubbed his eyes. “Someday, not here, you must tell me why you are risking your life sailing Cape Horn in midwinter.”

Menelaus, knowing that everything he said and did, even in an empty new office after midnight, was being recorded could only smile and shrug. “For fame and glory! What else does one do in a reputation economy?”

5.

It was exactly one month later, and Yp’pa and Menelaus were as alone as two men could be. With great effort they pulled their superlightweight canoe of blue smoke up the rocky, frost-coated beach of an empty island, part of the archipelago that formed the Tierra del Fuego.

They piled rocks in the boat to prevent it from blowing away in the storm wind. The weather was a combination of ice, hail and freezing rain, and the waves were the color of iron as they heaved, turning only into white foam where they battered the shore. All the air was filled with a sound of rage.

Menelaus was appalled by the wild sea and snow-covered deadly wasteland. It was as inhuman as scene he had seen in space, as desolate as the craters of the moon. It chilled his soul more than his shivering body. The universe was not made for man. Not even all places on Earth were made for man.

Making camp was a bitter process, taking the better part of an hour, but setting up the tent became easier once Yp’pa carved several large blocks of ice with his ax and set them up in a semi-circle, to act as a windbreak. The tent pegs were made of a futuristic material that was supposed to dig into the soil by itself, but the cold, or the iron-stubborn hardness of the rocky soil, defeated the circuits, so Menelaus pounded them into place with the back of his ax. The futuristic lantern-stove unit had also frozen, so the men had to be content with a fire made from frozen guano. Yp’pa built a chimney of ice blocks in front of the tent opening, and Menelaus sealed the tent flaps to the chimney sides with splashes of water from his canteen, which turned to ice instantly. The cold was such that not even a roaring fire could melt the chimney. The chimney pulled the smoke up out the tent, so the air inside was stale, but breathable, and warm as paradise.

Menelaus fell down on his blankets and sleeping bags, aching in every limb. Yp’pa sat with his coat and mittens off, cross-legged before the fire, holding up his hands to the little flames, and smiling a small smile to himself. He looked older than a Menelaus’ grandfather, but the exertion had not winded him.

“You guys are the toughest men on Earth,”

“The old ways are lost. My uncle could have taken off his coat outside, and felt no pain.”

“Listen. I came all the way out here, all that rowing, all the hiking, to tell you something.”

“No,” said the bent little man, with an odd smile.

“Yeah, I did. I can steal the material you need. I figured out how to do it, even with the goggles watching everything. Patagonians don’t bother to lock their doors, most of ’em, even biotech labs. If I get a group of guys, including a patsy we can frame up, I figure I can smash and grab my way….”

“No, that is not why you came,” said Yp’pa.

“Yeah, yeah, I’m telling you it is. Look, I fought these Spaniards in the war. Well, one of our warsyou wouldn’t have heard of it, I guess…”

“You served in the Reunited States Imperial 35th Horse Brigade from April 2225 to May 2226, during the Counter-Reconquista. I have a pair of goggles, Dr. Montrose, and I can read.”

“Well, these bean-eating Spannies ain’t no friends of mine, is all I am saying, and so I got nothing against a wee little bit of armed robbery, not for a right cause. You cannot tell me you want your tribe to be extinct!”

“And I am telling you, that is not why you came, not to this barren shore, under these lightless skies, in this cold wind; the wind of Setebos. I know why you came.”

Now Menelaus sat up and looked at his friend. The gleam in the old man’s eye was a strange one, and his smile was strange also.

“Why did I come?” said Menelaus, wondering if this were a dream.

“To hear these words. The one who woke you sends this message by me. Menelaus Montrose, you are instructed to concentrate your efforts on the fifth through seventh radial symbol groups, including the variant notations in the associated cartouches, delta, epsilon, and upsilon. The key may be a Rienmann function, but use your best judgment to discover a mapping algorithm to the central alpha group, which has been translated.”

“By damn! You’re talking about the Monument!” Menelaus reached out and grabbed the old man’s bony shoulder. “Who told you this? Who woke me?”

“I do not know, and I cannot say.”

“What did they bribe you with?”

“Why do you ask? You are poorer than I am.”

“Never mind. They promised you your tribe again, didn’t they? Some way around the anti-cloning laws. Nothing else would touch your leathery old heart.”

“It has been a long time since I smiled, and I am happy to smile again. You must promise me, that if I die in this snow, to bring my body back to Patagonia. If you cannot bring the body back, leave it here in the snow, but bury me with my goggles sent on response, so that I can be unearthed later. My twins can be grown from my dead flesh.”

“What if I make you tell?”

“Friend, we have shared toil and food and heat together. One fire warms us both. Are we not brothers? I was a dead man, and now I have hope. Do you think anything, even if you broke my bones, would open my teeth, once my jaws are clamped on hope?”

And he laughed and laughed a wheezy, hiccoughing laugh.

They did not speak of this matter for the remaining time they spent together fishing on the island. Nor could they spend the long, long nights in silence. They spoke of women, and good luck and bad, and men they’d known, and drinks they’d had, and of little things they liked, and little things they hated.

They spoke of the stars and the earth, and the future and the past, and what it was like to have gone mad and slumbered a century and a half, so that the world you knew was lost, and what it was like to be the last of your kind, so that the world you knew was lost.

And because they woke before the tardy sunrise, and lay in the tent long after the premature sunset, and because they brought enough beer to make the dark hours merry, they talking of things too frivolous to be discussed at any other time, or far too serious. They talked of God. Yp’pa thought God was One, who existed before the dawn of time, who made man in His image from the ash of a celestial fire. Menelaus speculated that God would be something man would make in his image, once evolution was fulfilled, and who would exist after time had halted. And Menelaus said the celestial fire was inside Man right now: it could be seen in the eyes of every curious child, every boy who asks why? and every scientists who asks how? And the crime of man, and eternal temptation, was to smother it. Yp’pa did not believe these wild dreams, but his upbringing would not let him voice a disagreement, so he merely passed Menelaus another bulb of beer, and smiled, and said, “So, ah! Yes!”

But mostly, they boasted about fish, and in the way that only true friends can boast, once friendship has freed you from the need to speak the literal truth.

On the day after Midsummer’s Day, which, in this hemisphere, was the deepest winter, Yp’pa did not wake up again from his sleep, and Menelaus carefully wrapped the body in his sleeping bag, and lashed it securely, and loaded it on the canoe.

The voyage home was longer and more difficult than the voyage out, and the sky wept snow.

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I have just lost all interest in this film

Posted February 27, 2008 By John C Wright

Iron Man will not be fighting the Mandarin, says one reviewer who read the script. The enemy is Chimpy McBusHitler.
http://www.cc2k.us/index.php?option=com_content&task=view&id=985&Itemid=2

This script is almost exactly what a character like Iron Man should be facing. The script opens on a weapons facility hidden somewhere in North Korea, and we soon discover that it is Tony Stark’s weapons that are being manufactured there – but without his knowing. What unravels is a tale of global and corporate espionage, tying into the current War on Terror and some social commentary on WMD’s. THIS is what Iron Man needs to be dealing with, and not some super villain with a theme.

It’s easy to see why the studio is going in a different direction with the real film. This version makes America the bad guys, run by a corporate Hitler with people planted throughout the government, as high as the Vice President.

Now, the reviewer (let us called him, “That Guy Who Liked Ang Lee’s HULK”) is complaining that the studios might deviate from the script, and put in more action. Well, the studios had darn well better deviate from this script if they want my hard-earned theater-going ticket money. I could buy a paperback for that same price, after all. I could spent two hours playing with my kids instead.

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Thank you, Locus!

Posted February 26, 2008 By John C Wright

Titans of Chaos makes the LOCUS recommended reading list for 2007. I am giddy with delight.

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Jumper. Read the Book. Skip the Movie.

Posted February 25, 2008 By John C Wright

JUMPER is a novel by Stephen Gould and a film by Doug Liman and starring Hayden Christensen. The book was a delight, reminding me of the best qualities of a Heinlein juvenile. The film was repellent, reminding me of the worst qualities of modern movies and modern movie-makers.

Repellent. I cannot think of the last time I saw a film where I was so revolted with a protagonist that the film maker was supposed to get me to like.

I have seen films with unsympathetic protagonists before, but they were deliberately made so, either as part of a character arc, where a bum becomes a decent man, or as a gritty look into the grimness of real life, where we are supposed to see the sins of others as a way to reflect on our own sins. But this was not like that. This was a bit of sciffy special-effect action extravaganza, and all that was needed was a main character who was likeable.

In the book, young Daniel Rice discovers he has the ability to teleport when he uses this mysterious ability to escape from his drunken, abusive, child-beating father. In the movie, young Daniel Rice uses the same mysterious ability to abandon his father, who is not a childbeater, not abusive—and Daniel immediately goes and robs a bank. This indicates to me that the father should have taken the rod to him, because it was pretty clear the child was spoiled.

He does not steal enough money to live on, he steals enough money to live in the lap of luxury in a New York apartment overlooking Central Park, wearing fine clothes, and in a palatial suite that looks for all the world like a James Bond villain’s hangout.  Spoiled is an excellent word to use here.

In the very next scene, we see our hero at a bar. On the news comes a report of a disaster: a schoolbus is trapped by rising flood waters. The newscaster breathlessly says that no one can reach the victims in time, no one can get to them.

Well, naturally, I thought that this was a set-up for our Jumper, who can go anywhere, to rescue some innocent people with his mysterious gift. But, oh no, the gift is not meant for so noble a purpose. The moment he sees the newscast, Dan the Jumper Rice teleports to England, where is picks up a blond in a bar, and immediately fornicates with her. We don’t find out the girl’s name and I assume Mr. Jumper does not either. While she is sleeping, he jumps back to America. Does anyone but me think it is a little rude, to say the least, just to squirt your semen into a young lady and depart without a word? No flowers, no hug, no nothing? Maybe I should be happy he did not give the woman a few slaps in the face to show her what he really thought of her. Maybe he was in a hurry to go visit the graves of the children who drowned in the school bus, and point and laugh at the mourners.

The Jumper in the book was not a creep like this. This character was not just an asshole, he was vile.

Let me dwell on the bank robbery for a moment. The voice-over explaining the life of crime asks insolently, “Hey—I was seventeen! What would you do?”

This is the wrong question to ask, if you are trying to win audience sympathy. When I was seventeen, I would have died before I would have stolen a dime.

If you have the ability to teleport, and you cannot think of an honest way to make a living in America, then you deserve to starve. Good grief, beg on the street while teleporting four feet to the left and right, until you have enough money to buy a T-Shirt that says “The Amazing Disappearing Boy!” and I am sure you could get five bucks from a kind old lady or a sailor on leave or something. Jeez. What about a job as a delivery boy? Teleporting Pizza service!

Now, I am older and less idealistic, so I can imagine stealing a loaf of bread to save my starving child. Almost. It would have to be a child I particularly liked, however. And it would have to be bread that was going to be thrown out anyway. On the other hand, I do not think anyone should make a movie out of me stealing bread for my child, lest it glorify or excuse theft.

Now, in this film, young Daniel Rice leaves an IOU behind when he robs his first bank. Okay, that is more sympathetic—but then he never pays the IOU back. He does not steal enough to live on until he can get a job, and earn enough to pay it back. He steals enough to take a bath in the money like Scrooge McDuck. I kid you not: there is a scene where Jumper Boy is rolling around in piles upon piles of cash on his bed.

Now, in the film, he is not shown doing something with this stolen money. He does not invest it or use it to open a business or anything. He just spends it. As best I can tell, he merely steals more whenever he needs more.

In the book, Daniel Rice is chased by some Government Agents whom he handily outwits, but the real antagonist of the book was a Muslim terrorist who kills Rice’s mother. Rice decides to use his Jumper power to track down this villain and get revenge. His innate decency does not allow him to simply kill the man as he deserves, but he uses his teleport ability to imprison him in a remote location, and he brings his prisoner food and supplies.

Now enter the antagonist of the film: Mace Windu in a bad wig. Samuel L. Jackson, who has never turned in a bad performance in his life, does a fine job here. He comes on as an investigator for the government trying to track down the thief. Well, naturally, all my sympathies at this point in the film are for him. I naturally assume that cops who work for the government trying to stop thieves are good guys. But, oops, plot twist!, it turns out Mace Windu is a bad guy who stabs people with a big knife for no particular reason. He merely has the magical ability to be able to call upon a world-wide network of secret agents for a secret organization of teleporter-hunters. Now, I was prepared, while gritting my teeth, to accept the notion that rogue CIA agents or something were hunting down Jumpers to use for clandestine “black ops” or something of the sort. No, no, the plot twist was much stupider than that. Mace Windu is a member of an centuries-old highly organized group of illuminati who have been hunting Jumpers for centuries.

Now, that does not seem dumb, does it? I mean, who does not love secret organizations of centuries-old illuminati?

AH! But these illuminati are the Magisterium! They are the Opus Dei! You heard me. The Christians are the bad guys. Their motive for killing teleporters is that “Old God should Have the Power to Be in All Places At Once”. Boy, that is so stupid it makes my head ache. Teleporters go from place to place, they are not in all places at once, and God does not teleport.

These guys are not Jews or even Evil Buddhists. They are called Paladins— yes, you heard me. The band of knights in service to Charlemagne who saved Europe from the Muslim hordes of Spain and North Africa are just the people the film makers thought it would be creepy to name their bad guys after. They are the same people (according to one character in the film) who were responsible for the Inquisition.

Whatever, film maker dude. Good thing you did not have the Muslim terrorist in the book as the villain, or that might have offended someone.

Now, at this point, the only thing the film could have done to make me hate the main character even more, would be to have him go look up his old girl friend, who is doing honest work, have him lie to her, and to show him trespassing over and over again when he tries to seduce her by taking her on a trip to Rome. Oh, and copulating with this pretty young girl who deserves better than a lying, thieving, pool of vomit jackass without the benefit of marriage also did not earn any points with me as a member of the paying audience. I could have bought Stephen Gould’s book in paperback for the price of admission.

Jumper Boy, having successfully put his girlfriend in danger in order to satisfy his own selfish and thoughtless lusts and appetites, now makes an alliance with a nutcase Jumper. Jumper Boy and Nutcase Jumper decide to team up “like a Marvel Team-Up”. You know, now is not the best time in the film to be reminding your long-suffering audience, who liked the book this was based on, and who really wanted to like this film, about other people with teleport powers, like Nigthcrawler of the X-Men, who is a hero, and the best part of the movie he was in. Jeez.

Special effects abound during some of the fight scenes. I wish I had seen this film in Japanese, like an anime, so I did not know what they were saying. I would have enjoyed the special effects scenes.

The two limits on teleportation are that (1) you cannot Jump when someone is tasering you and (2) you cannot teleport a building, or else you die. Jumper Boy does both, and for no apparent reason. This is after a scene where Nutcase Jumper wanted to blow up Mace Windu with a bomb, which struck me as a perfectly valid tactic at that point in the film. Jumper Boy beats up Nutcase, and goes in to where Mace Windu has set a trap for him, and— Huhn? He just waltzes in with no plan, and the Illuminati gizmos and guns and whatnot are simply ignored. Maybe Jumper Boy was protected by the Aura of Plot Contrivance, that turns aside bullets and knives and electric ray guns, and also grants you the ability to do the two things the film wasted our time explaining to us where the only two things Jumpers could not do.

Magic in a story is only magic if there is one thing the magic cannot do. Otherwise the story lacks magic, if you take my meaning.

That one thing, whatever it is, kryptonite, formed the basis of the plot: it is the obstacle the hero must overcome or circumvent. If kryptonite robs Superman of all his power in every scene except the climax scene, it makes no sense and invalids the story.  

A final word: the reason Mace Windu in a Wig gives for killing Jumpers is that teleportation in and of itself is a corruptive ability: everyone who was run away from his problems, the character says, turns into a selfish creep. They go bad. Well, as far as I can tell, that analysis is exactly right.

End of the film: the mother who abandoned Jumper Boy as a baby was also a Member of the Magisterium and/or Opus Dei, so she is a creep also. Jumper Boy does not kill Mace Windu, but drops him off without food or water in the middle of the desert, and leaves him to die. Or maybe Jumper Boy expected Mace to make it back to civilization somehow, in which case, why would he not continue to hunt this boy down?

Girlfriend has her house destroyed in the crossfire, and now she joins Jumper Boy in his life of pointless and endless sightseeing and tourism and, because we all know a shallow, unproductive life is best— what the heck where these movie makers thinking? What were they thinking?  

Everyone in this movie is a creep, and I wanted them all to die, except for Nutcase Jumper, who was funny, and Mace Windu, because, as best I could tell, he was van Helsing, a mortal man fighting a supernatural villain.

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Christianity and Nuttiness

Posted February 24, 2008 By John C Wright

 One of the (several) reasons I gave up on secular atheism and became a Christian is that I realized that the “religious nuts” were the only sane people with a sane philosophy of life, suited to the real limits, real pleasures, and real pains of the human condition.

Each of the several secular philosophies leaves something out of its purview, leaves an unexplained gap in its moral reasoning so large and so obvious, that only a philosopher could fail to see it. (Sorry, philosophers, but we are a breed particularly blind to the big picture most times, aren’t we?)

 

Examples could be multiplied endlessly, but I will give only two. A libertarian who grounds his moral philosophy in contract law, and says man is free except where he undertakes an obligation voluntarily, overlooks such realities of life as, say childrearing or the needs of war. Under a hedonist’s philosophy, where all moral good is merely pleasure delayed, what explanation is there for a young man who throws himself on a hand grenade to save his squad? What explanation for a fireman who runs into a burning skyscraper, when all rational animals, (Vulcans and Houyhnhnms) acting rationally to preserve their own life, are running the other way? A socialist who grounds his moral philosophy in a thinly-disguised lust for the property of other men, overlooks the realities of the laws of economics, and eventually must come to overlook the reality of such things as the sanctity of language for communication. Totalitarians of the violent sort, fascists and communists and Big Brother, go in for Newspeak. Totalitarians of the nonviolent sort, but equally as bent on controlling every aspect of human mental life, go in for Political Correctness, for much the same reasons. In the same way the Libertarians have gaping holes in their moral philosophy, where the are reduced to stammering when one asks them about the duties of childrearing or the duties of war, the socialists have gaping holes in their moral philosophy when it comes to economics, politics, and honesty in thought and in word.

Far too often, the gaping holes would overwhelm the rest of the moral system. Philosophers who started with some common-sense axiom, such as the idea that everything must have a cause, wouldend up with some utterly nonsensical conclusion, such as the idea that men’s thoughts are an epiphenomenon of matter, that we are merely meat machines.

A year or two before I converted I began to realize that one too many of my fellow secularists were just plain nuts.

Some of them talking about baby-killing as if it were normal, others talking about Transhumanism as if it were possible or desirable to create a species to exterminate us, others talking as if they thought they were meat robots, without free will and without a moral code. That is a nuts idea, on the same order as a man who thinks he is made of glass. Ayn Rand was one of the more sane of the atheists I’d read, but even she was nuts: Ayn would talk as if adultery and fornication were not merely acceptable, but rational and desirable.

They kept insisting they were the reasonable fellows, but very few of them had reason enough to come to the conclusion that human beings only prosper under a moral code suited to human life, both human strengths and human weaknesses. Half the secularists I knew were members of the political-economic philosophy that makes an especial merit of denying reality, and answering all arguments by calling people stupid.

Don’t get me wrong, some atheists I knew were stand-up guys, didn’t cheat at cards, didn’t talk about Eugenics, didn’t have wet-dreams about farfetched socialist or libertarian utopias. They believe in the Second Amendment and in Limited Government-style democracy (which, if you think about it, keeping in mind those real limitations of human nature I mentioned, an Armed Citizenry and a Limited Government are much the same thing). 

But, in geometry, if even a stand-up guys gets his axioms wrong, with the best will in the world, he gets the conclusions wrong. In theology, if you get a wrong idea of the spiritual nature of man and his needs, if your axioms about the metaphysics are wrong, your conclusions about common sense and every-day things will be wildly wrong too.

I do not object when a reasonable secularist dismisses the concept of the Incarnation: it is a mysterious concept at best. It is an act of faith to believe in God-in-Man, is it not? But I do object to those secularists who dismiss a concept like Free Will, which is not a mysterious concept at all: nothing could be more patently obvious. It is not an act of faith to believe in Mind-in-Man, it is logically impossible for a man to use his mind to believe (for belief is an act of mind) that men have no minds.

I do object when a reasonable secularist cannot tell me a single reason, within his moral system, for outlawing cannibalism, dueling, aborticide, euthanasia, and other things that are simply lunatic.   

The mystery and paradox of their secular religion is more mysterious and more paradoxical than my religious religion. If it is a lunacy of megalomania for me to say Men are the Children of God, then it is so much more the lunacy of microlomania (if there is such a word) to them to say Men are Beasts no different from apes, or are meat machines no different from pocket calculators.  

I believe Men, albeit godlike, are corrupted by original sin, an idea that has painfully obvious empirical proof in every age and nation. They believe Men, albeit beastlike, are capable of moral improvement through education and social organization, an article of faith that has suffered painfully obvious disproof in every age and nation where such daydreams have been attempted: and yet they call us the unreasonable ones.

The secularists of this particular type have irrational delusions of rationality.

And they are after our children to kill them.

They’re nuts.   

Nuts is not the right word. Diabolic is the word. 

 

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More from the ministers of Moloch:http://www.lifesitenews.com/ldn/2008/feb/08022201.html

Newborns Who Suffer are “Better off Dead” – “World’s Most Prestigious” Bioethics Journal

“Baby is judged to be better off dead than forced to endure the only kind of life it can ever have,” say authors

The revelation that newborn euthanasia was both common and acceptable in the Netherlands was greeted with harsh criticisms from around the world, with one Italian Minister going to far as to accuse the Netherlands of Nazism. Others expressed their disgust that many of the children who were being euthanized by Dutch doctors were children with Spina Bifida, a condition with which many people have lived well into adulthood and had fulfilling lives…

… It would be wiser, they suggest, to kill the child after it is born, if it is then determined to have poor prospects of a “satisfactory” life, than to hide behind the false moral justification of killing the disabled child in utero…

Read the whole thing, and tell when what paragraph the “prestigious bioethicists” begin talking about the parent’s choice or the baby’s rights.  The emphasis seems to be on the doctor, or the state, making the decision. My son Orville, who is now a healthy nine-year-old (and just won a second place prize for his pack in Cub Scouts pinewood derby racing) was misdiagnosedwith Spina Bifida. Had he been born in the Netherlands, the enemies of mankind (and all Eugenicists, Fascists, and Friends of Caesar are, in the long run, enemies of mankind) would have killed my beloved son.

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Shameless Self-Promotion NULL- A CONTINUUM

Posted February 21, 2008 By John C Wright

Mortgage your house and sell the cat to the lab for medical experiments! You need the money to rush right out and buy NULL-A CONTINUUM, the authorized sequel to the ground-breaking WORLD OF NULL-A by A.E. van Vogt.
It is available for pre-order right now on Amazon.com and from Tor books.

AND the jacket copy gives away one of the surprise plot twists from chapter 23. Thanks alot, blurb writer.

The book has already begun to garnish the scoffing and raised eyebrows such an ambitious project, in all fairness, merits.

From Rose Fox, book reviewer
I haven’t looked inside the book itself, so I can’t comment there. I’m just a bit croggled that it exists at all, though I suppose it’s no surprise that if someone was going to have the chutzpah to “continue” one of the most influential books in the American SF canon, it would be Wright. The jacket copy claims that he “trained himself to write in the exciting pulp style and manner of van Vogt”. What a terrifying statement. I’m not sure I can bring myself to read the book just yet.

Of course, the point isn’t so much to outdo other sequels as to equal the original. It’s also unfair to demand that it be as mind-blowing and groundbreaking as The World of Null-A was in 1949; it seems more honest to see whether Null-A Continuum can match the effect of the original on a present-day reader. I find Wright’s novels contorted and stilted at best, … I suppose at some point I’ll just have to reread The World of Null-A and then see whether Wright’s sequel does at least a good a job of standing up under modern critical examination. Hopefully framing it in those terms willsufficiently reduce my expectations. Hopefully.

She is right, of course. I was terrified to learned I had trained myself to write in an exciting pulp style. I used my Null-A trained double brain to deduce the semantically negative false-to-facts verbiage of purplish prose of Golden Age SF. Hemingway, it is not.

James Nicoll reports:

I do not myself much care for Van Vogt so you can imagine the mixed emotions I felt when I realized that Wright’s NULL-A CONTINUUM is a successful attempt by a living author to emulate the style and plotting of a dead author. On the one hand, I could count the number of books where that trick worked on one hand (and I wouldn’t need all my fingers) so Wright gets major points for making it work. On the other, he’s successfully emulated an author whose work I find maddening.

You will think I am kidding if I say this is high praise indeed. I am not. This is what we lawyers call a “statement against interest.” If someone who does not like Van Vogt (a creature unimaginable to me, but there you have it) says I successfully emulated van Vogt’s signature Vanvogtianisms, it is a flattering statement indeed.

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Castro Retires

Posted February 19, 2008 By John C Wright

Reuters has the story.
I cannot tell you what pain it causes me to type those two words “Castro Retires” rather than the two words, in a juster world, that would be reported in the new this day: “Castro Hanged.”

The angels in heaven weep tears of blood whenever a tyrant dies comfortably in his bed, as Stalin did, surrounded by the praise and adoration of sycophants, while the countless skulls of his victims lie moldering in unmarked mass graves, the countless slaves languish in chains, both visible and invisible.

The refugees who died at sea swimming to find the land of freedom, martyrs of liberty, will ask the Americans, when we stand before the blazing judgment seat of glory, why there were not at least an equal number of us willing to die while swimming the other way, with a rifle or at least a knife, that we might commit that most laudable of all political acts, tyrannicide.   What strength did we lack? What opportunity did we lack?

If Castro had put a Nazi Swastika on his nation’s flag, but in every other way acted just as he had, do you think the Free World would have so nonchalantly withheld its hand, and let this evil for so long flourish?

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And now for something really importent! INDY IS BACK!

Posted February 14, 2008 By John C Wright

The reason why writers and film-makers from time to time stand in awe of the craft of writing, or the art of film-making, is that, from time to time, a story comes along, a character appears, and you just … fall in love.


Usually, you fall in love with stories that are not bitter, not cynical, not ironic nor aloof. Usually, the great tales are about simple things, the things children know and love, but which even a bitter old curmudgeon might doff his hat and place it over his heart when he beholds.
Heroism is such a thing. A man facing fearful odds for the ashes of his fathers and the altars of his gods.
It is easy for the sophisticates of the world to scorn these things, the way gourmets corn meat and potatoes. But to the rest of us, they are meat and potatoes.
I know a man who tells me he decided, despite that all the world said otherwise, that he would treat young ladies with respect and chivalry. He says he learned his lesson from reading PRINCESS OF MARS by Edgar Rice Burroughs, back when he was young and impressionable. A children’s book, you say? There is many an adult who has not learned the lesson yet that this man learned in youth from that simple tale.

Happy Saint Valentines Day to all of you who are in love, as I am, both with real people and with, from time to time, people not quite real.

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Progress Report and FREE SAMPLE!

Posted February 14, 2008 By John C Wright

A reader asks:   “John,  Sorry for the off thread question but can you give us an update on your  next projects… specifically the novel about the time sleeping husband?”

My response: Asking about my writing is never off topic! It is an endless fascinating topic! You see, writing consists of the fascinating, never to be sufficiently described, very interesting act of seating your (in my case) fat fanny in a chair and writing words on a page. First you pick the words, then you write them down. Then you ask your wife for ideas. Then you rewrite what you wrote. Then you get your wife to read what you wrote. Zzzzzzzz…… Huhn? What? Sorry? Oh, a customer was asking about my work. Yes, boss! I’m on the job! Just had another good idea this morning in the shower!

Okay, enough about me. Listening to writers talk about their writing is as boring as dirt. Instead, let me talk about the book itself. Here is the opening:

PROLOGUE: Event Horizon (AD 2216-2222)

1.       

The future did not arrive.

Once Menelaus Illation Montrose, at that age when one reads the books that live in one’s heart forever, by accident came across in his library a cartoon of stark colors and convincing depth-illusion, which some writer of two hundred years ago had composed. It was a strange cartoon, unlike anything young Menelaus read in study, for each of the possible endings ended happily. 

At first he thought it was an historical, since it was set in the last years of the Twenty-First Century, so long ago, but his older brother Agamemnon told him with a sneer that it had been ‘futurism’ when first written.

He would not later remember much what the characters had been doing, which seemed to involve stumbling across yet another lost race on yet another new planet that slide back down to barbarism, having a crewman or two gunned down or eaten by vampire-plants, then having the Captain go ashore, flirt with an alien girl, and get into a knife-fight (that even to Menelaus’ unpracticed eye looked wide-gestured, slow and inefficient, meant for show).

The lost race was always doing something dumb, like worshipping an empty lighthouse, on account of they forgot how an automatic timer worked, or living beneath a leaking dam that they were scared to fix, and scared to admit needed fixing, on account of they thought the gods had built it. These gods always turned out to be nothing but an abandoned mine field, or a half-broken robo-tank on autopilot or something. Each episode always ended with the space-barbarians vowing to mend their ways, free their slaves, give up their stupid superstitions and study science.

No, it was not the doings in the cartoon dramas he recalled.

He recalled the shining promise glowing from the simple 1024-color images, the promises and the predictions. Here were artificial intelligences with godlike wisdom; men with appliances woven into cloths or skin or nervous system to augment intellect and reflexes; man designed by man, and superman redesigned by superman to become creations more superhuman yet; the stars within mortal reach, and surrounded by Ring-worlds and Sphere-worlds large as Earth’s orbit made of a living metal called Computronium, so that each square foot of a surface-area larger than worlds drank in sunlight on all wavelengths and converted it to pure thought. The future people lived without poverty or property in something called ‘a post-scarcity civilization’; and all the beautiful girls made love to everyone, male and female alike, without marriage or jealousy, because what was sin in all the previous eras was licit for them, the perfected people. At the end of the tale was the Rapture, and the souls of all the unafraid and progress-loving people were floated into the giant space mainframes, to live as pure spirits, immortal as gods, and the epilogue showed how the Second Law of Thermodynamics was overthrown by the machine superintelligences, and the universe itself lost its mortality.

Years later, he still recalled the name, and flourish of ever-rising notes that went with the opening frame. The cartoon was called Asymptote.

His brother Hector showed him the secret plot-twist on level sixteen to unlock the adult portions of the script, so Menelaus could watch the future women prancing in their underwear.   

The other thing he remembered was that his mother caught him, and she rolled up the shining fabric of his library so that it was like a stiff switch of rainbow-flickering lucent glass, and bent him over the kitchen stool.

It was one of the last times his mother ever took a strap to him.

2.       

 

He remembered that the kitchen stool was between the hearth-cell and the window. The hearth-cell gave light and heat to the kitchen, fueled the upright stove, and fed the cable that led to the barn where the cream-separator hummed. The window, which had come from his grandmother’s house in Austin, was an antiseptic permeable surface that even when open changed the smell of the forest and flowers outside into something that stung in the nose. In those days, the Pestilence of the Jihad was still within living memory, and grandfathers with breathing plugs in either nostril still showed callow youths the scars where their disease-ridden lungs had been removed.

The window box was filled with flowers. The Starvation Winter had gone on during all Menelaus’ early years, and it was not until he was six that he saw the springtime, a mysterious season, a hope and a promise even his eldest brother was not certain about. The half-decade of unbroken snow had killed the Pest, but also countless millions of men.

It was not until he was older, that he heard it called The Japanese Winter. When young men cursed the Tenno of Greater Japan, saying his mad experiment in climate modification meant to kill everyone North of Cancer and South of Capricorn, the old men wheezed and upbraided them, and said the Paynim unleashed the plague (which at first only attached itself to genetic markers found in Ashkenazim Jews, but which mutated to seek all primates) it was only the cold that saved everyone: Winter is the friend of man! the saying went, Thank God for the Nippon Winter, or we would be as extinct as apes.

It was for Menelaus the first spring in the world. The flowers and birds never before seen by him appeared. To him, the word “brook” meant a path of ice, and word “fishing” meant chipping a hole in that ice. When all these icepaths which had been solid during all his short life turned to rippling water, just as his mother had promised they would, he was sure, in his heart, that everything would be different thereafter.

It was so strange seeing green grass where there had only been white snow before; so odd to see runners removed from carts and carriage and round wheels, like something from a toy, put in their place. It was pure joy to run outside in bare feet, rather than trudge and slip in his older brother’s hand-me-down snowshoes.

It was odd to see men, those whose farms could not be tarped with greenhouse-cloth, the same listless men who had spent last year loitering or rioting at warehouses, and depots, arguing over boxes of food brought by rail, canal and cart from southern lands, now set to tearing up the earth with strange instruments, furrowing the ground in long parallel rows, walking after antique traction motors or antique mules, and speaking boastfully about being men again. The whole world was new, and it was spring, the glorious season of light, and Menelaus was sure the Asymptote lay just around the next turn of the calendar.

But at seven, Menelaus was apprenticed; and endless days of toil made his springtide winter again, no matter how bright the sun.

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Christian Ramadan

Posted February 12, 2008 By John C Wright

Dutch Catholics have re-branded the Lent fast as the “Christian Ramadan” in an attempt to appeal to young people who are more likely to know about Islam than Christianity.

I am not making this up.
http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/02/12/wlent112.xml

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Clockwork Phoenix

Posted February 8, 2008 By John C Wright

More on my favorite topic: ME
SFScope mentions an anthology in which yours truly has a short story.

Editor Mike Allen reports that he has officially accepted half the contents of his forthcoming anthology Clockwork Phoenix (to be subtitled “Tales of Beauty and Strangeness”). The book is scheduled to be published by Norilana Books later this Spring, and he’s no longer receiving submissions.

The stories definitely making the cut, in alphabetical order, are:
“The Occultation” by Laird Barron
“Bell, Book and Candle” by Leah Bobet
“All the Little Gods We Are” by John Grant
“The Woman” by Tanith Lee
“Old Foss is the Name of His Cat” by David Sandner
“There is a Monster Under Helen’s Bed” by Ekaterina Sedia
“Palisade” by Cat Sparks
“The City of Blind Delight” by Catherynne Valente
“Choosers of the Slain” by John C. Wright

Allen notes that “I have quite a bit still to sort through (and some potentially agonizing decisions) before I settle for sure on what’s in the other half.”

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A link for Ash Wednesday

Posted February 6, 2008 By John C Wright

Some meditations about hope and hopelessness, Tolkien and Jackson:
http://lorenrosson.blogspot.com/2005/07/tolkien-vs-jackson-one-mans.html

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