The fine fellows over at SFSignal are asking what books you have stopped reading and why?
Here is the full question as asked:
In light of my abortive attempt at reading The Gone Away World I started thinking back at other books that I gave up on before finishing. I can’t remember any book in the recent past, other than what sparked this post, that I quit on. For the most, if I read a book I’m not keen on, I can still find some way to plow through until the end.
The only other book that springs to mind is Dhalgren by Delaney. That one I started and stopped several times before I managed to force myself to finish it, and I didn’t like it one bit. I should have left it alone but it’s a classic so I there you go.
But what about you? What books have you stopped reading and why?
My answer:
Interesting question. In my youth, back when my tastes were broad and my reading time expansive, it was a point of pride with me never to put down a book until I had finished it. Consequently, the time when I put a book down unfinished stick in my mind.
The first was TITUS GROAN by Mervyn Peake. I picked it up because it was a member of the otherwise splendid and wonderful Ballentine Adult Fantasy imprint edited by Lin Carter. If you recall, or if you can ask your father or grandfathers about those far-off days, there simply were no other fantasy novels available, aside from Tolkien, Ursula K. Leguin’s EARTHSEA, the Narnia of CS Lewis, and Prydain by Lloyd Alexander. The flood of Tolkien clones was still in the time of Things to Come.
But in reading everything under the Lin Carter imprint, one was from time to time victimized by a divergence in taste between oneself and Mr. Carter. Even my eclectic reading breadth was not eclectic enough to make it past the first 100 pages or so. The disgusting characters, their pointless actions, the lack of anything noble, otherworldly, fine or even of mundane decency and attractiveness galled my young mind. There was no magic in either sense of the word in TITUS GROAN. After page after dreary page of reading about vermin, villains, malcontents and madness — I think I was at the scene when the Lord of the Manor is eaten by owls — I realized I would have more fun doing algebra homework.
Blame my youth, if you will, but to this day I cannot imagine why anyone considers this book a fantasy, except for the mere overlarge size of the house in which the toadlike grotesques slump and commit arson or murder.
In recent years, on the other hand, I have become quite hard to please, and even books of great fame and decidedly well-crafted construction such as Robert Jordan’s Wheel of Time series will fail to hold by attention against competing claims of work, playing with my children, writing books of my own, reading history or philosophy or theology, playing City of Heroes (where, of course, I put all my own hero characters as heroes!) and other clamoring time-absorption unknown to younger and emptier lives.
In the case of Mr. Jordan, the fault my mine rather than his. I had just finish a scene that I thought was both fascinating from a reader’s point of view, and brilliant from a craftsman’s point of view. The main character had been sent on a spirit vision walk back through time, and had seen the remnants of the previous high-tech civilization, as it collapsed into barbarism, slowly forgetting the meaning of their ceremonies and laws: but the reader of course recognizes the remnants of everything we’ve taken for granted, from sacred trees to spear-wielding nomads, now in their original context. Brilliant! I wish I had written something half so clever. Nonetheless, and unfortunately, I then realized there was not a single character whom I cared whether he lived or died. I did not care about the gleeman’s checkered past, or the gambling kid’s new found magic spear, or the smith’s apprentice, and I certainly did not care about the non-hero kid who was slowly going insane. Why? The characters did not seem any more flat or one-dimensional than those from the pens of other writers, even in books I adored. I just did not feel the sympathy one was supposed to feel after five or six fat volumes are walking the long path of adventure with these guys.
One drawback of having gray hairs in your beard, is that most of the authors you know and adored in youth, and whose any book, any at all, you would buy as quick as you can say "AMAZON ONE-CLICK!" have passed away. And some of those still alive turn out to be outspoken partisans of freakish political cults, practitioners of witchcraft, spies for the Kremlin, members of the Supreme Anarchist Council and agents of the Si Fan: and they won’t shut up about how much they hate Tolkien and love Mervyn Peake. I don’t begrudge them their chance to be outspoken (they are frankly less so than am I) but neither can I take the guileless pleasure in their work I did in days of golden innocence.
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