Superversion Archive

Interstellar

Posted December 1, 2014 By John C Wright

Directed by Christopher Nolan; Written by Jonathan & Christopher Nolan; and starring Matthew McConaughey, Anne Hathaway, Michael Caine Mackenzie Foy, Jessica Chastain.

INTERSTELLAR by Chris Nolan is certainly the best science fiction film, and is equal to the best films of any genre, I have ever seen. I would list SEVEN SAMURAI by Akira Kurwasawa as superior to it, and CASABLANCA by Michael Curtiz or THE BIG SLEEP by Howard Hawks, but the mere fact that I am making the comparison with these giants among cinematic masterpieces should tell you of the high regard in which I hold this particular work.

interstellar-new-poster-wallpaper

I hold it INTERSTELLAR high regard not just as a film but as a science fiction film; and more than this, as a serious or ‘hard’ science fiction film, not merely a space opera or fantasy. Like grand opera, Hard SF is an exacting and highly disciplined form of storytelling where the slightest deviation from the strictures of audience expectations mars or even ruins the story. Hard SF is hard.

Before speaking of the film itself, let me make a comment about science fiction films in general, so that my high praise will be seen as fair-minded and not flattery.

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More Superversion

Posted November 26, 2014 By John C Wright

Another link to an essay worth reading. The inestimable Josh Young, who often comments here, responds to the Superversive Literary Counterinsurgency mission statement by hoisting the banner of the Red Cross Knight alongside ours, and leveling a broadside from the ironclad of his worldview.

http://thebadgercontemplates.wordpress.com/2014/11/26/on-the-superversive-a-science-fiction-credo/

I say only, hear, hear and I say amen.

Here is an excerpt

It’s not going to come as a surprise to anyone that knows me that I like my stories dark. I like my stories to be nailbiters, heroes fighting against all odds. I like my stories rough, and I want my heroes to suffer a bit. I’m not opposed to killing a beloved character, if that character’s death has meaning in some form or another.

“Meaning” doesn’t necessarily have a point to it, incidentally. There doesn’t have to be a moment of “He died so that we could live!” But compare the death of Macross/Robotech‘s Roy Fokker and Firefly/Serenity‘s Wash. Roy’s death, meaningless and stupid, came in the middle of a war, and narratively, told us this show wasn’t going to promise us that our heroes would make it out unscathed. Wash’s death came randomly and pointlessly, during a moment of relief and without context, just to remind us that Joss Whedon likes to make us cry.

Thing is, even in all these dark stories, I want heroes, light, and hope. One of the things that Jagi and the Superversive folk is the pointless nihilism of literature. There’s a sense you get, reading a lot of modern lit, that life sucks and nothing has meaning. Nothing will ever have meaning. (Jagi talks about Steinbeck, whom I have not read, but I got the cliffnotes version of while watching The Middle. It matched Jagi’s experience.) Even if I didn’t already prefer my stories to have spaceships and laser guns, that sort of thing would drive me away from mainstream lit.

Some folks would claim it’s escapism, that the nihilism of mainstream lit is the reality– and, well, I won’t spoil it for you, but read Jagi’s entry. She has some things to say about that. As a Christian and a seminarian I have to remind you that it is far, indeed from the truth. Our book tells us that things are dire and deadly and will get worse, but that, in the end, there is triumph, does it not?

It’s an interesting thing, and I keep trying to get a handle on it: but in a lot of ways, science fiction and theology feel very much the same when you dive into them.

My comment: he has a story coming out in the next issue of Sci Phi Journal , so buy it and support him and them, please.

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Superversive Mission Statement

Posted November 26, 2014 By John C Wright

The Superversive Literary Counterinsurgency has published its mission statement. Here are the opening paragraphs. As it only appropriate for a movement of storytellers, it begins with a story:

Any new venture needs a mission statement. So, what are the goals of the Superversive Literary Movement?

Well…let me tell you a brief story.

As a child, I distained Cliffsnotes. I insisted on actually reading the book. I would like to instill the same virtue in my children. But recently, I made my first exception.

My daughter had to read Steinbeck’s The Pearl for class. We read it together. She read part. I read part. The writing was just gorgeous. The life of the people involved drawn so lovingly. The dreams the young man had for his baby son were so poignant, so touching.

Worried about what kind of book this  might be, I read the end first. It looked okay. So, we read the book together.

Turns out, I had missed something—the part where the baby got shot.

Not a happy story.

Next, she brought home Of Mice and Men. We started it together. What a gorgeous and beautifully writing—the descriptions of nature, the interaction between the two characters. A man named George, who could be off doing well on his own, is taking care of a big and simple man named Lennie, who accidentally kills the mice he loves because of his awkward big strength. In George, despite his gruff manner and his bad language, we see a glimpse of what is best in the human spirit, a glimpse of light in a benighted world.

The scene of the two camping out and discussing their hopes of someday owning their own little farm, where Lennie could tend rabbits, was so touching and hopeful, so filled with pathos and sorrow, and so beautifully written. Steinbeck is clearly one of the great masters of word use.

But I remembered The Pearl.  I glanced ahead, but this time, I looked more carefully.

On the next to last page, while discussing how their hoped-for little farm with rabbits is almost within their grasp, George presses a pistol against the back of Lennie’s head and shoots.

Now, in the story, he does it with a terribly heavy heart. He does it for “a good reason”—Lennie accidentally killed someone, but…

That doesn’t make it better.

I sat there holding the remains of my heart, which Steinbeck had just ripped out and stamped on. The devotion of this good man George had led to nothing. All their golden hopes turned to dross, sand.

And it wasn’t just the end. The book was full of examples of “the ends justify the means” type of thinking – such as a man killing four of nine puppies, so that the other five will have a chance.

Very realistic? Check. Very down to earth? Check. Very “the way of the world”? Check.

Why give a book like this to children to read? What are we trying to teach them? That life is difficult and meaningless? That sometimes its okay to kill something we love for a “good reason”? That life is pointless? That dreams and hopes are a sham? That no matter how you try, you cannot improve upon your circumstance, so it’s better not to even hope? (That was what The Pearl was about.)

What possible good is such a message doing our children?

Maybe if a child grew up in posh circumstances and had never seen hardship—maybe then, there would be a good reason for letting them know that “out there” it can get hard.

But this was my daughter—whose youth resembles that of Hansel and Gretel, and not the fun parts about candy houses and witches. There are many things she needs in life—but pathos-filled reminders of how harsh life can be is not one of them.

The book was also full of cursing. I’m not sure I would have noticed, but my daughter kept complaining.

I closed the book and refused to read any more of it. I told her we’d find the answers online. She ended up getting help with it from her brother (who had been forced to read the book at school the previous year) and from a friend.

I’ve seen some of the other books on the school curriculum. Many of them are like this. In the name of “realism,” these works preach hopelessness and darkness.

They are lies!

So, you might ask, why does it matter if our children are being fed lies? They’re just stories, right?

What do stories matter?

To find out why stories matter, dear reader, read here: http://www.ljagilamplighter.com/2014/11/26/superversive-blog-the-goal-of-the-superversive/

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Superversive: A Light in the Darkness

Posted November 19, 2014 By John C Wright

Over at the newly minted Superversive blog, we have a guest post written by 16 year old author (and family friend), April Freeman Lost In La La Land:

April

 

When I was quite young, my mom read my brothers and I The Tale of Despereaux. It is one of those stories that you remember loving, and though you may not remember exactly why or how the plot went, it still sticks with you. I think Despereaux could be considered a surperversive book, that is the opposite of subversive as explained by The Superversive Literary Movement. But it’s not just the book I want to talk about today.

There is a scene in which the little mouse hero has been banished to the dungeon by the Mouse Council, one of the members being his father. They banished Despereaux because he loved the Princess, broke the law by showing himself to her, a human, and would not denounce her. So he is cast down the steps of the dungeon and walks on, to what would be his death. He finds comfort from the crushing darkness and despair around him by reciting to himself the story he had read hundreds of times in the castle library. He tells himself the story of the brave knight, because he wants to be brave for his beloved Princess Pea.

What Despereaux does not know is that the jailer, Gregory, heard him. He picked up the mouse, and in that act saved him from the dungeon rats that would have eagerly eaten him. Gregory had never saved any of the mice before, and when Despereaux asks why Gregory would save him, the old jailer replies, “Because you, mouse, can tell Gregory a story. Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.

Reading this book again, many years later and further on in my journey as a writer, this passage rings very true for me. For what else is a good book, than light in the darkness?

The post also has this to say:

At the very end, there is a last passage where the author is talking to us, much as a story teller might talk to the children scattered at her feet, listening to the tale. It says:

Do you remember when Despereaux was in the jailers’s hand, whispering a story in the old man’s ear? I would like it very much if you thought of me as a mouse telling you a story, with my the whole of my heart, whispering it in your ear in order to save myself from the darkness, and to save you from the darkness, too. “Stories are light,” Gregory the jailer told Despereaux. Reader, I hope you have found some light here.

Most of us aren’t looking for an earth-shattering, life-rocking outcomes when we pick up a book, but sometimes that is exactly what we get. Sometimes on a smaller scale, and sometimes without even realizing it at first. Most readers just want to be entertained, which of course we should do. But even as we do this, we want to entertain them with something wholesome, something good, something filled with light, because even entertainment can be a sort of light.

Remember to offer the light, but don’t force it upon them. Writing in a pious, preachy, or lecturing way is very annoying and gets in the way of the story. People want a story, not a sermon.

Read the whole thing, dear reader:

http://www.ljagilamplighter.com/2014/11/19/the-superversive-literary-movement-guest-blog-a-light-in-the-darkness/

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